Word: hunchback
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Dates: during 1950-1959
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...major auto races, Nuvolari won 72, could blame most of his defeats on car failure. He took every big European race at least once-the Grand Prix, Le Mans, the Mille Miglia. Superstitious, he liked always to have a hunchback friend nearby when he raced, for good luck. He always wore the same yellow sweater, blue pants and tricolored scarf. Italians said of Nuvolari, as they had long before said of their spellbinding violinist, Paganini. that he had "a pact with the devil." This belief was strongly supported by Nuvolari's chief European rival, Achille Varzi...
House of Wax may have three dimensions; the plot has one, at best. It used to be known as The Murder in the Waxwork Museum or something close to that, when it was a flattie. If you've seen The Phantom of the Opera or the Hunchback of Notre Dame you have the general outline already. The only thing the latter pictures have that House of Wax doesn't is scenes of people jumping, falling, or being pushed from high places. Hollywood has missed a trick...
...errand of mercy through a small apartment house. As the priest goes from floor to floor, in search of a dying woman known only by the name of Morderet, Blondin presents a series of sharp character sketches: the retired general whose "majestic wife knits him regulation ear-muffs," the hunchback who practices the samba with a chair held in his arms, the robbers who once burglarized an apartment ("they carried down the garbage when they left, it was right on their way, after all"). No one knows of the woman named Morderet; we discover she is a chambermaid, known only...
Died. Dr. Donald Alfred Stauffer, 50, chairman of Princeton University's English department, George Eastman Professor of English (for the past year) at Oxford University, poet, Shakespearean scholar, critic and novelist (The Saint and the Hunchback); of a coronary thrombosis; in Oxford, England...
...manner of soldiers, doctors, refugees, and Arabs wander on and off the stage, but they all contribute more to the development of Lili Engel's character than to any coherent story. Their own character are sketchily drawn; one--a hunchback doctor by the name of Ghoulos--makes no sense at all. Except for Freund, a Viennese merchant convincingly portrayed by Paul Mann, these minor characters generally overact, perhaps because Director Elia Kazan feels the need of sharp contrast to the complexity of Mrs. Engel...