Word: hunchbacks
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William Cowperthwaite was a competent King Hildebrand. The stiffness and inflexibility of his acting, which might have detracted from another role, provided a strong contrast to Wayne Paton's brilliant performance as King Gama. Paton's portrayal of the irascible hunchback was worthy of Martyn Green, both for its cheerful leering and its precise enunciation. Nell Davenport was equally well cast as Lady Blanche; her voice, however, was not quite equal to the range of the score. Merle Moses, as Lady Psyche, effectively contrasts here susceptibility to Lady Blanche's austerity. Melissa, played by Sally Cameron, displayed a spirit...
...Hunchback of Notre Dame would be like kicking a cripple. But a few mild prescriptions might bring the grotesque old man back to the health he deserves. Charles Laughton is superb in the lead role of Quasimodo, but some of the supporting parts, the photography, and the music fall just short of the excellence such a film must have...
...from spoiling the entire film, the mediocre effects offer a forceful contrast to the great moments in this "Hunchback." Laughton is magnificent at the Feast of Fools and in the pathetic tower sequence with Esmeralda. The crowd scenes are uniformly impressive, and the film in all is more than entertaining...
...major auto races, Nuvolari won 72, could blame most of his defeats on car failure. He took every big European race at least once-the Grand Prix, Le Mans, the Mille Miglia. Superstitious, he liked always to have a hunchback friend nearby when he raced, for good luck. He always wore the same yellow sweater, blue pants and tricolored scarf. Italians said of Nuvolari, as they had long before said of their spellbinding violinist, Paganini. that he had "a pact with the devil." This belief was strongly supported by Nuvolari's chief European rival, Achille Varzi...
House of Wax may have three dimensions; the plot has one, at best. It used to be known as The Murder in the Waxwork Museum or something close to that, when it was a flattie. If you've seen The Phantom of the Opera or the Hunchback of Notre Dame you have the general outline already. The only thing the latter pictures have that House of Wax doesn't is scenes of people jumping, falling, or being pushed from high places. Hollywood has missed a trick...