Word: hung
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Dates: during 1920-1929
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...were Collectors Duncan Phillips and Chester Dale; Lee Simons, onetime editor of Creative Art (TIME, July 9, 1928); Norman Bel Geddes, jack-of-all-design; William Cropper, arch-rebel draughtsman; Mrs. John Davison Rockefeller Jr.; Editor Frank Crowninshield (Vanity Fair); Director Alfred Hamilton Barr Jr. On the walls were hung 98 canvases by the four "old masters" of modern painting: Cezanne, Gauguin, Seurat, Van Gogh. Many a guest at the opening could well remember the time when these men were not even subjects for polite conversation. There had been unwholesome tales of Gauguin, the stockbroker who deserted wife and child...
...Modiglianis were pompously hung and framed. Well-tailored attendants mingled with the visitors, distributed lavish programs. The lenders of the canvases to the exhibition included Editor Frank Crowninshield of smartchart Vanity Fair, Businessman-Collector Chester Dale, Dealers Paul Reinhardt and John F. Kraushaar, Capitalist Sam Adolph Lewisohn. They gave an aura of respectability to the exhibition which might have amused the little, consumptive painter. People who would not have been seen talking with him now pay $20,000 for his canvases, eulogize him over their teacups as a great genius. For in his day Modigliani was the butt of ribaldry...
...academician, he returned to the U. S. with an open mind bent upon adapting his learning to U. S. limitations. In the firm of McKim, Mead & White, where he spent his apprenticeship, he shared a draughting board with John Merven Carrère. They quit McKim, Mead & White and hung out their own shingle. Soon they had a commission from Henry M. Flagler, pioneer Florida exploiter, to build two hotels in St. Augustine, the Ponce de Leon and the Alcazar. Wide was the comment aroused by their romantic, freely adapted Spanish style. More commissions came and the rirm was established...
Advertisements which knock instead of boosting have become rare in the U. S. But last week appeared, in some 600 newspapers throughout the U. S., a caricatured robot brutally plucking a harp over which hung a weeping muse (presumably Euterpe) and beside which sat a howling hound. The caption was: "The robot as an entertainer-Is the substitution for real music a success?" The advertising "story" appended was the American Federation of Musicians' complaint against substituting mechanically synchronized music for orchestras in theatres...
...grandiloquently referred to as the world's baseball championship.* One team was the Philadelphia Athletics, representing the American League. The other was the Chicago Cubs, representing the National League. As everyone knows, Mr. Wrigley is Cub owner. The millions of U. S. citizens who, through radio and newspaper, hung upon the flash of every ball, the crack of every bat, probably did not much concern themselves with the corporate aspects of the entertainment provided them. Nor, in justice to Mr. Wrigley, could it be said that his connection with baseball was sordidly commercial. The Chicago baseball franchise...