Word: hungarian
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Dates: during 1960-1969
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...visit that drew world attention to Mr. K., vodka for vodka. Later, when Khrushchev made the sensational but top-secret Kremlin speech that demolished Stalin, Bell was in Moscow and got wind of it. During two tours of duty in Bonn, he covered the Berlin Wall, the 1956 Hungarian uprising, and matters as disparate as what Chancellor Adenauer was thinking and what the German burgher was eating...
...NICOLAS SCHÖFFER, 53, a Hungarian-born Parisian, builds Erector set-like perforated grids, convex mirrors and metal latticework. He views these not as art works but rather as the medium to express his vision of "spatiodynamics." His largest work to date is his 170-ft.-tall computerized Cybernetic Tower in Belgium, which emits sounds of street noises mixed with electronic music. Other works blink, twinkle, and swathe the space around them with elusive illuminations, sometimes changing 300 times a second like whirling dervishes of light...
...city was destroyed. In this film, the reluctant Reds are pretty much ignored. Munk's antihero (Edward Dziewonski) is a self-seeking womanizer who cynically boasts that he survived the occupation by "buying and selling." He shares his easy-to-bed wife (Barbara Polomska) with an enemy Hungarian officer, learns that the fleeing Hungarians will lend men and guns to help the Polish Home Army. Before the Poles refuse, the drunken, don't-give-a-damn patriot hustles messages back and forth, so ludicrous a target that a thundering German tank blasts him only with derision...
...without distracting. Against a backdrop of gently swelling strings, he punctuates the action with a rippling organ (young love), a nervous twitter from a marimba (trouble in the streets), or perhaps the distant, breathy wailing of a girl's voice (ecstasy). One of his favorite instruments is the Hungarian cimbalom, which looks like the innards of a piano and sounds like an oversexed harpsichord. Rather than treat each scene with "big masses of symphonic sound," he takes the opening theme and works endless variations on it. It is not Brahms, but in the shadowy world of the movie house...
...love. With excellent dialogue and good characterization, the piece moves along, jumping (not always smoothly) from one "great line" to the next. The reader is delighted to see the entertainment at a bar, consisting of a Mexican guitar troupe and then eight violinists from Budapest who begin with the "Hungarian Rhapsody" and end with "Flight of the Bumblebee." But excellent though the details and lines may be, they often seem to exist merely for their own excellence and there is not a great continuity to the piece. The beginning is slow and the narrative between the dialogue could also...