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Word: hungers (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Paris Embassy a woman secretary fainted from hunger...

Author: /time Magazine | Title: FOREIGN SERVICE: Distressed Diplomats | 2/12/1934 | See Source »

...Leavenworth Prison, Kans., Harvey Bailey and Albert Bates, kidnappers of Charles F. Urschel, were last week fed a pint of milk every four hours through a hose up the nose. Reason for the feeding: a hunger strike which they later quit. Reason for the hunger strike: solitary confinement. Reason for solitary confinement: refusal to reveal the hiding of $100,000 unrecovered ransom money...

Author: /time Magazine | Title: CRIME: Special Delivery | 1/29/1934 | See Source »

...idealism; the technical worker, the accusation of sabotage. "We live in an epoch of great fear. Fear forces the talented intelligentsia to deny their mother ... to falsify their social origin. . . . Man is becoming suspicious, secretive, disloyal, slovenly, unprincipled. Fear breeds idleness, train delays, interrupted production, general poverty and hunger. No one does anything without orders, without reference to the blackboard, without threat of arrest or deportation...

Author: /time Magazine | Title: The Theatre: Fear at Vassar | 1/22/1934 | See Source »

...Germanic Museum. Not Death as in the silent senseless repose of the dead, but Death hanging over slowly departing life; not Death which comes suddenly, mercifully to the well-born for whom it is the apoplectic end of surfeit, but Death which racks life from the poor with retching hunger, foul disease, the constant ache of physical exhaustion. Death is here no surcease but a prolonged torture. The artist conveys the sense of this by unnaturally hollowed and skull-like faces, by hands which are bony in spite of their muscularity; the quality and effect of this she draws into...

Author: By Hans Fist., | Title: Collections and Critiques | 1/15/1934 | See Source »

...work difficulty intelligible. At her best, as in the lithograph "Brot" she achieves striking beauty with remarkable simplicity and economy of line. Most powerful of the exhibits are the series of fascinating self-portraits, versions of "The Widow II," the conventional "Dance Around the Guillotine," and the symbolic "Hunger's Whip." Dr. Kuhn is to be congratulated for bringing such an exhibit to the Germanic Museum...

Author: By Hans Fist., | Title: Collections and Critiques | 1/15/1934 | See Source »

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