Word: hurok
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Dates: during 1930-1939
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Perhaps the most uncomfortable of all was able, amiable Marian Anderson. Neither seeking nor needing the publicity, she perforce did the bidding of Manager Sol Hurok. In her great singing, there was no politics...
Notably absent from the programs was the name of Colonel Wassily de Basil; notably present was the familiar trademark of Concert Manager Sol Hurok. Long-nosed Léonide Massine was still choreographer, still danced with his wonted spirit. But of the Ballet's four familiar prima ballerinas-Tatiana Riabouchinska, Irina Baronova, Alexandra Danilova and Tamara Toumanova-the first two were missing. In their places were two newly acquired slim-limbed bids for U.S. favor: diminutive, British-born Alicia Markova (Alice Marks), and Nini Theilade (pronounced Tay-lah'-de), an exotic, Javanese-born tripper of mixed Danish, Polish...
...backing ($500,000) by Fleischmann, Harold F. McCormick and other Midwest socialites. De Basil lost not only his principal working choreographer (Massine) to the new group, now named The New Ballet Russe, but long-legged Ballerinas Tamara Toumanova and Alexandra Danilova, and the aegis of crafty Concert Manager Sol Hurok as well...
...Presented by Sol Hurok, sometime entrepreneur of Monte Carlo Ballet Russe, Shan-Kar, Schumann-Heink, Chaliapin, Pavlova, Isadora Duncan...
...though it had no connection with the summer music festivals, and adopted the name, Salzburg Opera Guild. Last summer, rehearsing twelve hours a day in a rented castle at Mondsee near Salzburg, the Guild increased its repertory of operas. Last week, under the management of astute S. (for Sol) Hurok, the Guild made its Manhattan debut, first stop in a tour of 100 U. S. cities...