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Although he was in effect a one-man operation, Hurok liked to underplay his own indispensability. "A lot of people are mistaken when they say that if Hurok disappears his organization will fall apart," he would say. "It'll go on, as long as they have the artists." Last week -two years after Hurok died at the age of 85-the current management of Hurok Concerts conceded that almost three dozen of its biggest box office draws had quit. The stampede out of Hurok began one of the biggest shake-ups in the concert business. Items...

Author: /time Magazine | Title: Music: The Hurok Legacy | 7/26/1976 | See Source »

...major reorganization announced last week, Hurok Concerts worked out a deal with a smaller, rival manager, Harold Shaw, 53, and gave him most of its artistic leadership. Shaw will continue to run his own company, Shaw Concerts, which handles such artists as Guitarist Julian Bream, Contralto Maureen Forrester and Pianist Vladimir Horowitz. A merger may be possible in the future, but for now the move is comparable to Ford turning operations over to American Motors...

Author: /time Magazine | Title: Music: The Hurok Legacy | 7/26/1976 | See Source »

...Sheldon Gold, 46, who was with Hurok for 15 years, emerged as a powerful force in the management field. Last May, shortly after he was fired as Hurok's president, Gold announced the formation of his own firm, ICM Artists Ltd. Since then, the agency has signed up such onetime Hurok clients as Violinists Isaac Stern and Pinchas Zukerman; Pianists Claudio Arrau, Vladimir Ashkenazy, Gina Bachauer and Daniel Barenboim; Cellist Leonard Rose; Conductors Erich Leinsdorf and Julius Rudel; and Dancer Mikhail Baryshnikov. Zukerman switched, he explained, because "Shelly Gold is more than a manager...

Author: /time Magazine | Title: Music: The Hurok Legacy | 7/26/1976 | See Source »

...Perhaps the most important outcome of the turmoil at Hurok may be that the U.S. will be seeing less of what was once the impresario's greatest pride: the famous international dance, symphonic and opera troupes that were his most publicized promotion ventures. Currently Hurok Concerts is presenting an 18-week season at the Met. This week the National Ballet of Canada comes in. In September the Paris Opera arrives...

Author: /time Magazine | Title: Music: The Hurok Legacy | 7/26/1976 | See Source »

Goldman and Del Rossi say that in the future they will no longer be able to afford the overhead such ventures require. "Mr. Hurok's theory-and I never met him-was that it was of vital importance for him to be at the Met," says Goldman. "He didn't want anyone else in that house." Hurok would book the Met for three months or so in the spring and summer, and pick up some or all expenses of visiting companies. "You run millions of dollars through all that and you come out with nothing on the bottom...

Author: /time Magazine | Title: Music: The Hurok Legacy | 7/26/1976 | See Source »

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