Word: hurs
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...movies: Gone With the Wind, Casablanca, Lawrence of Arabia, The Godfather and Schindler's List. It's also true that the best-grossing film of any decade has usually won Best Picture: Gone With the Wind in the '30s, The Best Years of Our Lives in the '40s, Ben-Hur in the '50s, The Sound of Music in the '60s, Titanic in the '90s and the final Lord of the Rings film this decade...
...Hollywood made a few series--Andy Hardy, The Thin Man, the Bob Hope-- Bing Crosby Road comedies, and horror films with the whole Frankenstein family. But these were middling fare. The big-ticket items were singular sensations. Nobody made a sequel to Gone With the Wind, Casablanca or Ben-Hur. The industry didn't think in roman numerals until The Godfather, Part II in 1974. But with the triumph of special-effects fantasies like Star Wars, sequels became a smart way to print money. Now they are needed to turn bad years into good ones. The difference between...
...Burning, a comedy about a suspected witch and an ex-soldier?created roles for the era's greatest actors, including Laurence Olivier, John Gielgud and Richard Burton. Fry reached his biggest audience, however, as a script doctor who did a rewrite for the epic 1959 film Ben-Hur...
...brief, midcentury revival of verse drama; in Chichester, England. While celebrated for plays like The Lady's Not for Burning, he reached his biggest audience when he was hired by director William Wyler as a script doctor and did a rewrite for the epic 1959 film Ben-Hur...
...early film versions, Ian Fleming's James Bond became Sean Connery. Then Bond turned into Roger Moore. Convinced that Bond was Connery, some moviegoers dismissed Moore as an impostor. Charlton Heston, conversely, performed a miracle of dramatic consolidation in the 1950s and '60s. He became Moses, Ben-Hur, Michelangelo, Andrew Jackson and John the Baptist: everyone this side of God. Heston possessed such brooding gravitas that he could plausibly pass for an abstraction, the decalogue with a strong chin...