Word: husbanding
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Dates: during 1960-1969
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...grapes," Berges recalled. "Once when the rest of the family was away, we had lunch together at his house. He served a tunafish salad that Nancy Reagan had prepared and left in the refrigerator. After lunch, Reagan washed the dishes himself, leaving the kitchen spotless-like a well-trained husband...
...schedule also suits today's wayward servantless housewife, whose children return home from school at 4:30, thus destroying the old cinq a sept timetable. Another aid for delinquent dames: the wig.""It's a wonderful alibi," explained one Parisian housewife last week. "You tell your husband you must go to the hairdresser. Then, instead, you send your wig and stay home to receive your lover. You retrieve the wig later and appear properly coiffed for your husband. Neat." As for Novelist Sagan, who was in New York last week promoting her new book, the failure of Americans...
...over that. Disaster. Fault of Superstar Margaret Dayton. She disappears. How to render Margaret: get the way she fills the blue jeans. Banal but central. She has one hell of a behind. But remember: a schoolgirl animated by sex. Tell about Margaret's sex life. Husband's. Mama's. Producer's. Director's. Agent's. Co-star's. Don't forget character with shoe fetish. Add a little lesbianism. Anything else? No? O.K. Margaret returns. Shooting resumes. Everybody happy. Fade out into wine-dark...
...Summer. As the faithful friend, longtime Svengali, and now the husband of Melina Mercouri (they were married last May), Director Jules Dassin periodically attempts to trap some of her wild Greek energy on film. His tempestuous Trilby, in her sixth Dassin movie, proves just one thing: the family that plays together does not alway make a Never on Sunday...
Neurotically out of love with her husband (Peter Finch), she tries during a trip through Spain to stir the embers of eroticism by packing him off to bed with her best friend (Romy Schneider). One memorable night, as a storm rages outside, she sees Romy and Peter on a balcony in an alfresco embrace, heedless of wind, rain and lightning. Meanwhile, a murderer fleeing a crime of passion appears on an adjacent roof, and Melina decides to help him. Why? To that question there is a multiple-choice answer: 1) she is desperate for excitement, 2) she is romantic...