Word: husbanding
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
...RACERS-CRAIG & LEE BREEDLOVE (ABC, 4-5 p.m.). A look at the famed husband-wife auto-racing team breaking records (he at 600.601 m.p.h.; she at 308.56 m.p.h.) on Utah's Bonneville Salt Flats and relaxing during off-track hours...
...traits and then try to divine the element and sign under which he was born.* Panelists are on their honor to disqualify themselves if they know the birth date of a guest. The questions run from "Do you like money?" to "What one thing would you change about your husband?" The answers are generally guarded. Asked to describe themselves in a word or two, Guests Ed Sullivan and Jack Benny coyly hazarded "nice." After the first couple of shows, Johnny Carson, whose wife Joanne is a regular panelist, suggested that she make the questioning less nice and more pungent...
...given their first readers. Despite all the plays and movies derived from D. H. Lawrence and the countless exegeses, an early short story, The Woman Who Rode Away, emerges fresh and startling in a 1925 issue of the Dial. The proper American woman living in Mexico with a dreary husband goes off to the hills in search of fulfillment. Instead, she is imprisoned by Indians of such "terrible, glittering purity" that they ignore her womanhood and sacrifice her to their gods so as to win back the land from the white...
Cunningham's dance does demand a prepared or prewarned audience. Like the abstract artists who design his sets and costumes--Frank Stella, Warhol, and Rauschenberg--and the electronic musicians composing his scores--John Cage, David Tudor, and Earl Brown (husband of Carolyn Brown)--Cunningham explicitly denies traditional unities of the dance...
...himself or his effect. The small troubles that pervade the film become more tragic in retrospect: Madigan's domestic squabbles are at first banal, finally significant because Madigan dies before they can be resolved in such manner as usually satisfies audiences; his wife's final lament for her dead husband rings hollow because we have only seen her nagging him and his death locks her in the role forever in our minds. Siegel refuses to resolve the personal problems set-up during the film, and although we hope for positive change, we are often left with ambiguity or permanent limbo...