Word: husbandly
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...want venture capital, being a husband-and-wife team is not looked very kindly upon. And we didn't know if it was something that would help us or hurt us. We also had two other business partners, so we wanted to be seen as equals. But it was funny - AOL gave us the money and never knew. People would ask, "Are you married?" and we would say yes but implying that it was to somebody who wasn't in the room. In the end, we considered it a competitive advantage because we were working from the moment we were...
...pinging quietly every so often when an e-mail came in. And if I was between REM cycles and heard it, I had the choice: Do I ignore it, make it sleep through the night? Or do I find out what it's trying to tell me? When my husband and I spent a weekend away, unplugged, unpinged, it felt a little like that first time we left the baby with her grandmother so we could go hiking for a whole...
...estrangement from his father and their reconciliation at the elder man's deathbed. "When I published that part in the New Yorker," Martin says, "I got a great letter from a woman. She said, 'I read your article about your father, and I gave it to my husband, and he read it and didn't say anything. And then he said to me, What's our son's phone number?'" For a moment over lunch, Martin clutches his chest--a dramatic display of emotion for this very inward man who may, at heart, be the kid who stayed...
...French farce “Take Her, She’s Yours!”—translated by Norman R. Shapiro ’51—which will open Nov. 19 at the Adams House Pool Theatre. It’s the story of a husband trying to find a new man for his ambivalent wife after he starts having an affair. The Roving Reporter stopped by their dress rehearsal to feel the love.Maria “Masha” O. Godina ’08RR: So who do you play in “Take...
...letters and telegraphs, in which Florentino vows his eternal love. Distance, Fermina’s marriage to another man, and Florentino’s promiscuity (623 women by the end of the film) keep these star-crossed lovers apart. Florentino endlessly awaits the death of Fermina’s husband (Benjamin Bratt): only then will he allow himself to re-woo his unrequited love. In typical García Márquez style, Newell’s adaptation of “Cholera” assaults the senses with exotic pleasures. Much of the film’s beautiful footage...