Word: hussar
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Dates: during 1970-1979
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...screenwriter, Gerald Vaughan-Hughes, hold closely to a short story by Joseph Conrad called The Duel. Conrad was fascinated by obsession, by the kind of craziness carried so far beyond the reasonable delusions of ordinary men that it acquires a kind of grandeur. In The Duellists a young hussar lieutenant named D'Hubert (Keith Carradine), an unexceptional man, collides with another lieutenant named Feraud (Harvey Keitel). Feraud is a strutting, bloody-minded fool, and he challenges D'Hubert to a duel. Though D'Hubert knows that the matter is silly, honor forces him to fight. Feraud...
Raymond was released in 1970, but soon afterward charged with murder. His alibi was that on the night of the crime he was dining and discussing "the law in general" at London's Gay Hussar restaurant with none other than Driberg, current Labor Party House Leader Michael Foot, and the latter's brother, Sir Dingle Foot, a former Solicitor General in the Labor government. Raymond was acquitted of the murder, but received three years in prison for impeding the arrest of a criminal. In 1972 he skipped from Dartmoor prison while on a home leave and was later...
...main difference between Fauvism and expressionism. Every where one turns in this show, pleasure is celebrated: the tricolores and red, white and blue parasols in Raoul Dufy's street scenes, the rosy theatrical vigor of Van Dongen's scene of a couple out side a brothel. The Hussar (Liverpool Night House), 1906, the slapdash but infectious ebullience of Vlaminck's still lifes. The best sight of all, though, is Matisse inventing the Mediterranean; it is amazing to find how deeply one's images of that coast have been marked by Matisse's agaves and olives...
Adele's love for Pinson is monomaniacal. There is no question of his being worthy of it; he possesses a certain animal-like attractiveness, especially when encased in the full dress uniform of a Victorian Hussar, but Adele's choice of him as a love-object is simply a given, the story's sine qua non. Once you accept it, the rest of the film follows. And, indeed, the choice has been made before the flim begins--it opens with Adele leaving her home to follow Pinson across the Atlantic to Halifax, (Nova Scotia) already aware of the hopelessness...
...frustrated Cariou looks up and beds down his ex-mistress (Glynis Johns). She is an actress fabled for her affairs on-and offstage who is currently pleasuring herself with a hussar (Lawrence Guittard). This is our old friend from Roman comedy, the miles gloriosus, the soldier puffed up with vanity, rage (when he encounters Cariou), and the sternly ludicrous conceit that his wife (Patricia Elliot) and his mistress ought to be equal paragons of fidelity. This tangled skein of love and its counterfeits is happily unraveled in Act II at the country house of the actress's mother (Hermione...