Word: hustler
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Dates: during 1990-1999
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...free-speech crusaders, and is one of the few smut-free zones in the country. Enforcement is so strict that residents had to drive to Kentucky to see Paula Jones naked in Penthouse. Trying to catch the eye of the Cincinnati police, Flynt handed out free copies of Hustler on the street last year. No luck. Then he opened up a store selling his magazine, soft-core porn and sex toys. Nada. So he shipped in the hard stuff. Almost immediately the city redrew its zoning laws to make his store illegal. But before he got nailed for that violation...
...dollar. To hell with the odds; this man won't give up. He will keep asking, charming, wheedling, until people finally collapse under his will to be loved. As a character says in the Joe Klein novel on which the film is based, "The heart is a lonely hustler." But hustling--hey, that's politics. That's entertainment...
...young London roommates. Mark (Philip Seymour Hoffman) leaves for a detox center in an effort to kick his heroin habit. Robbie and Lulu (Justin Theroux and Jennifer Dundas Lowe) keep busy by dealing drugs for a scuzzy TV producer (Matthew Sussman). They reunite when Mark brings home a young hustler (Torquil Campbell), who takes part in a sordid bout of fantasy game playing that makes Who's Afraid of Virginia Woolf? look like Scrabble...
...Miami the mansion where Gianni Versace was shot in the head by hustler and spree killer Andrew Cunanan has become an ad hoc tourist attraction, as has the houseboat where Cunanan put a bullet into his own skull after setting off one of the most intensive manhunts in recent history. A book published this fall, Death at Every Stop: The True Story of Andrew Cunanan--The Man Who Murdered Designer Gianni Versace, by Wensley Clarkson (author of Slave Girls), added a few new details to the once inescapable but now nearly forgotten Cunanan legend: he reportedly fathered a child...
...expected to hear far more about protecting children at a panel discussion called "Sex, Commercialism and the Disappearance of Childhood." Or at the very least, I expected to hear about whether children really needed protection. A study of "Images of Children, Crime and Violence in Playboy, Penthouse and Hustler" by Judith A. Reisman, in contrast to the ARCO panel, sets out the relevant facts. Funded by the Office of Juvenile Justice and Delinquency Prevention, the study of the three magazines from December 1953 to December 1984, located 6,004 images of children. Overall, "child-depiction increased nearly 2,600 percent...