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...escape through love, through going back to the land, through religion, are nearly as moving as "I Went to See the Gypsy," which is about the frightening involvement with life that his earlier songs described so brilliantly. It is about an ambiguous encounter with a big-name Las Vegas hustler, a sort of underworld angle, who presents Dylan with salvation and then disappears. Musically, it is a slow rock piece which sounds close to "Blonde on Blonde." At the end, when Dylan decides to accept the Gypsy's offer, it is too late, and the listener, although only half-understanding...

Author: By Garrett Epps, | Title: Dylan New Morning | 11/14/1970 | See Source »

...experience. SEEK and College Discovery staffers are now convinced that their efforts have dramatically changed the several thousand students who have already entered the programs. When SEEK produced its first four college graduates last winter, two were cum laude and all were headed for graduate school, including a remarkable hustler turned scholar, Arnold Kemp (see box opposite). By the time of the campus eruptions last year, the question for Bowker was whether the university could expand SEEK still further...

Author: /time Magazine | Title: Education: Open Admissions: American Dream or Disaster? | 10/19/1970 | See Source »

Dewey and Friedland, like their Hollywood forefathers, have also apparently learned that imitation is not only the sincerest form of flattery, but it is also one of the surest signs of success. Jump, which is about stock-car racers in Appalachia, is described as "like The Hustler, except that the Paul Newman character doesn't have a pool cue-he drives a car." The budget on that one will be Cannon's limit, $300,000. With that kind of money, they reason, even if the picture bombs in the big Northern cities, they can still turn a handy...

Author: /time Magazine | Title: Show Business: The Kids at Cannon | 8/31/1970 | See Source »

...film progresses, Lieut. Minderbinder descends from mess-hall hustler to full-time racketeer. In a crude and overdrawn caricature, the loutish blond fly-boy suddenly becomes a Hitlerian symbol who bombs American bases in a deal with the Germans and sells stocks in the war because it is good business. Here Nichols?like Heller?cannot let hell enough alone, and Engine Charlie's oft-quoted G.M. dictum is paraphrased "What's good enough for M-M Enterprises is good...

Author: /time Magazine | Title: Cinema: Some are More Yossarian than Others | 6/15/1970 | See Source »

...rest of the "boys" arrive. But some of the party guests beat Alan to the scene: Hank, an Ivy-League looking math teacher and his lover, fashion photographer Larry; Bernard, a cool black; Emory, a prissy, swishy interior decorator. By the time Harold (the birthday boy), Cowboy (a hustler given to Harold for the night as a present) and Alan appear, the flow of liquor and grass has locked all those present into a violent orgy of sadistic-masochistic emotional destruction; no one may leave until he touches the bottom of his soul and accepts what he finds there...

Author: By Frank Rich, | Title: The Moviegoer The Boys in the Band opens at the Astor today | 3/18/1970 | See Source »

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