Word: hustlers
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Dates: during 1970-1979
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...been the case throughout history, the destinies of white and black Southerners are inextricably interwoven. Slave and master, cracker and freedman, suburban executive and street-wise ghetto hustler have all been disfigured by racism. The emerging South is now facing that ancient whirlwind in its schools...
...have a streetchick drawl, "You got any LSD? You know, Lucy in the Sky, with Diamonds?" The boffs in Flesh, though, are much more sincere, and when the Warhol/ Morrissey Factory is sincere, it's pathetic. For instance, Joe says at one point with heart-rending earnestness to a hustler-colleague, "It's not a question of straight or not straight-you just do what...
...heroin) is a relentless portrait of three junkies who shoot up in front of the camera and drift off into their heroin fantasies of incoherent hostility and depression. Before they do, Skezag records a long conversation between Film Makers Joel Freedman and Philip Messina and a smooth-talking hustler named Wayne, who claims that he is not really addicted. Two friends of his eventually enter the claustrophobic scene: Sonny, quiet and morose, and Angel, who talks a political line. Casually and inevitably they all take heroin. Returning to the ghetto, they realize anew they have gone nowhere; the heroin, like...
...forebear, Robert R. Livingston, administered the oath of office to President-elect George Washington. Eddie Cox wears tweed jackets and speaks in impeccable prep-school accents. He earned the wry nickname "Fast Eddie" at Manhattan's Trinity School-after a dissolute pool shark in The Hustler, whom the studious Cox scarcely resembles-because he was a stickler for deadlines when editor of the school paper. He drives an old Ford station wagon and regularly runs up the six flights to his Cambridge apartment. ("This building is full of elderly widows," he says. "It makes it quiet, all right.") After...
...varied characters he so convincingly creates. And it is that projection of strength that makes so many of his parts almost tangible in a viewer's memory. Anyone who recalls one George C. Scott can easily see half a dozen: the unctuous gambler Bert Gordon in The Hustler; the slithering prosecutor in Anatomy of a Murder, squinting at witnesses through slit eyes like a starving mongoose ready for the kill; the self-destructive doctor in Petulia; the cool, clipped English sleuth in The List of Adrian Messenger; General Buck Turgidson in Dr. Strangelove, slapping his burgeoning paunch and producing...