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...even these losses would pale beside a far less publicized jolt that the insurance group is suffering. It involves the labyrinthine world of computer leasing, a honey-tongued Texas hustler, the big gest and most prestigious U.S. banks and IBM. As a result of many forces, the Lloyd's insurance group faces the biggest loss in its 291-year history - up to $225 million, vs. the present record of $100 million paid to cover damages from Hurricane Betsy...

Author: /time Magazine | Title: Business: Fabled Lloyd's Takes a Bath | 7/16/1979 | See Source »

Stallone uses montages more than any other director since Eisenstein; he does not seem to understand that movie cameras are now mobile. All the performances are italicized and phony, a sad descent from the original Rocky. At one point in the new film, Rocky balks when a hustler suggests the marketing of a "Rocky doll"; yet, that is exactly how Stallone has merchandised himself here. The Rocky we see in Rocky II is best suited for mounting on a dashboard...

Author: /time Magazine | Title: Cinema: Plastic Jesus | 6/25/1979 | See Source »

...editors: "I now regret having followed our attorney's advice." To which Washington Post Editor Ben Bradlee replied: "Now, because of some chicken lawyer . . . you've got me cornered into supporting you-reluctantly. I do it with about as much enthusiasm as I would Larry Flynt and Hustler...

Author: /time Magazine | Title: NEWSWATCH: Worried and Without Friends at Court | 6/18/1979 | See Source »

Gold is hardly shocked. He is no stranger to doublethink. A literary hustler whose interest in Government is a sham, he does not even vote, a fact "he could not disclose publicly without bringing blemish to the image he had constructed for himself as a radical moderate...

Author: /time Magazine | Title: Books: Speaking About the Unspeakable | 3/12/1979 | See Source »

...Kitchen of 1946, Paradise Alley tells the story of three close-knit Italian brothers who are able to break out of New York's slums on the strength of faith, perseverance and the fortunate circumstance that one happens to be an excellent wrestler. Stallone's Cosmo is an aspiring hustler who let his hair grow and donned an earring to avoid the draft. He is supposed to be an eccentric, funny, loveable guy, with a kind heart and an abundance of home-spun wisdom. Stallone, however, fails to give his character any depth. Cosmo is an amalgamation of what Stallone...

Author: By Max Gould, | Title: Paradise Lost | 11/27/1978 | See Source »

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