Word: huston
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...leer on his face, and yet at the last minute is permitted to walk out of the theater wearing a pious smirk. The problem could hardly have been muffed by the dumbest director, but for some reason it was assigned to one of the brightest boys in Hollywood-John Huston, director of The Treasure of the Sierra Madre, The African Queen and Beat the Demi. And Huston, as nobody will be surprised to hear, has developed his unsubtly sensational theme into a big, slick composition that might appropriately be described as a rhapsody expressly composed for a thousand cash registers...
...Michael Todd's Around the World in 80 Days with "best movie" honors, cheers coming from both the New York Film Critics (10 to 6 for the film on a preliminary ballot) and the National Board of Review of Motion Pictures. Their mutual choice as best director: John Huston for Moby Dick. In other categories they differed. Best Actor: Kirk Douglas in Lust for Life (Critics), Yul Brynner in The King and I, Anastasia and The Ten Commandments (Board). Best Actress: Ingrid Bergman in Anastasia (Critics), Dorothy McGuire in Friendly Persuasion (Board). Best Screenwriter: S. J. Perelman for Around...
...Nanette Fabray, who left Sid Caesar for greener folding money, will star in High Button Shoes. Producer's Showcase will offer Somerset Maugham's The Letter (produced and directed by William Wyler), a musical version of Jack and the Beanstalk with Celeste Holm and Cyril Ritchard. John Huston's Lysistrata, Anatole Litvak's Mayerling with Audrey Hepburn and Mel Ferrer, Claire Bloom in the Old Vic's Romeo and Juliet, the Lunts, making their TV debuts, in The Great Sebastians, Gene Kelly and Fredric March in Front Page, a Roy Rogers rodeo. NBC will also...
...adapting Melville's 500 pages into a not over-long screenplay, Huston and Ray Bradbury have done a job that is unqualifiedly brilliant. They have followed the plot and the characterizations faithfully, and have even shown a welcome respect for the spoken word--in the sermon by Father Mapple, in Ishmael's intermittent narration, and in numerous speeches by Ahab that are taken almost verbatim from the book. At the same time, realizing that the camera and the pen are by no means interchangeable storytellers, they have not hesitated to take beneficial liberties with the novel. In Peter Coffin...
Many other aspects of the movie serve admirably to heighten the adventure and the atmosphere. The new color style, a blend of black and white with technicolor--is an ideal compromise between the prosaic and the lush. The musical score is appropriate. And Huston controls the dramatic pace effectively, starting slowly in the New Bedford scenes, mixing in increasingly explicit predictions of doom, and constantly quickening the tempo until at the end, in the storm scene and the final fight with Moby Dick, the action grips not just the Pequod's crew but the audience as well...