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Treasure of Sierra Madre. Walter Huston, Humphrey Bogart and Tim Holt look for gold and find trouble in Director John Huston's brilliant adventure fable (TIME...

Author: /time Magazine | Title: Cinema: Current & Choice, Feb. 9, 1948 | 2/9/1948 | See Source »

...Treasure" is a unique Hollywood product. The cliches of romantic interest have almost been avoided; the movie has violent action, but for other purposes than immediate sensation; both Humphrey Bogart, who has been playing the same stock tough man for the last five or six years, and Walter Huston, whose last important part was in "Duel in the Sun," are able to do some original acting. The result is a movie with some power, a movie different from anything Hollywood has previously produced...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 2/9/1948 | See Source »

...leader of the gold-hunting party (Huston), whom the others call "the old-timer," is an almost superhuman character. He keeps the party together as long as he can, and it is only when his wisdom loses its effect on the nuerotic boy-man Dobbs (Bogart), that there is murder and madness. The events, until the gold dust is lost by a seeming accident, have an inevitability that comes from the characters of the three men. Tim Holt plays the third, a straight role that bears the small romantic element of the plot. Only in his part...

Author: NO WRITER ATTRIBUTED | Title: The Moviegoer | 2/9/1948 | See Source »

...Mexico City's Reforma Hotel, one day, a frail little man in faded khaki, his shirt held together with a cheap gold pin, presented to Huston a card: Hal Croves, Translator. Traven, Croves explained, couldn't come; but as Traven's old friend and translator, he, Croves, knew the author and his work better even than Traven himself did. Huston hired Croves at $150 a week as technical adviser. By the time Croves had done his job and disappeared, Huston was pretty certain that uneasy little Mr. Croves was Traven himself...

Author: /time Magazine | Title: Cinema: New Picture, Feb. 2, 1948 | 2/2/1948 | See Source »

...Huston has no truck with theories of esthetics or questions of style; his sharp directing is intuitive. He has a coldly intelligent knowledge of how much to leave free within the frame, and the born artist's passion for the possibilities of his medium. "In a given scene," he says, "I have an idea what should happen, but I don't tell the actors. Instead I tell them to go ahead and do it. Sometimes they do it better. Sometimes they do something accidentally which is effective and true. I jump on the accident...

Author: /time Magazine | Title: Cinema: New Picture, Feb. 2, 1948 | 2/2/1948 | See Source »

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