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...Othello', because it moves on continually, never stops, the plot never changes and there are no side plots. One of the world's finest scenes is the jealousy scene, from point of view of dramatic construction. It's the most interesting, I've ever played." Thus enthusiastically spoke Walter Huston, veteran actor, and star of last season's hit, "Dodsworth...

Author: NO WRITER ATTRIBUTED | Title: Debut in Shakespeare Makes Walter Huston Feel Enthusiastic About His Productions in the Future | 12/4/1936 | See Source »

...Huston follows the second view. He believes that the only way to appreciate the Bard of Aven is to act in his plays, make them a part of you, and put them across to an audience. From experience, he finds that you put yourself at a disadvantage if you declaim the lines, and the moment that you start to believe what you're saying, the audience will...

Author: NO WRITER ATTRIBUTED | Title: Debut in Shakespeare Makes Walter Huston Feel Enthusiastic About His Productions in the Future | 12/4/1936 | See Source »

...film versions of Shakespear, Mr. Huston has liked them all, especially "Rome and Juliet." He hands plaudits galore to Norma Shearer for her performance. He might film "Othello", if there is a public reaction for it. This play is adaptable for the screen, and many of the wars and battles alluded to could actually be shown. It "Othello", is well received, he plans to go ahead with "King Lear", the "Tempest" or "Macbeth...

Author: NO WRITER ATTRIBUTED | Title: Debut in Shakespeare Makes Walter Huston Feel Enthusiastic About His Productions in the Future | 12/4/1936 | See Source »

...Walter Huston has a way of insinuating himself into the nature of the character that he is dramatically to be, which is completely destructive of his own personality. Walter Huston has not, as some lesser man might do, keyed himself up to the heights of affected stiffness, in order to play Shakespeare. In the opening scenes he is the reserved, resolute soldier, quietly affable, that Othello is meant to be. As Iago progresses in his corrosive work, Othello is made by the master actor, through the episodes of the fictitious night in the camp and the handkerchief show...

Author: By E. C. B., | Title: The Crimson Playgoer | 12/1/1936 | See Source »

...good as one is accustomed to fine under a master. Robert Keith is in general quite satisfactory as Iago, although his appearance is more suggestive of a mischievous schoolboy than of a malignant traitor, and in spite of the somewhat excessive faces and eyes he makes. Nan Sunderland (Mrs. Huston) is as vivacious and as sweet as Desdemona should be, but she can't help looking a little mature. Euqal praise might be extended to Natalie Hall as Emilia and G. P. Huntley, Jr. as Cassio...

Author: By E. C. B., | Title: The Crimson Playgoer | 12/1/1936 | See Source »

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