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...interest with visual mayhem but accentuating the fragmentary nature of the dialogue. Stephen Rowe and Tony Shalhoub, as Joe and Wes, try mightily to keep things going, but with little success. Some awkward pace changes contribute to the difficulty, and the act sags until Frederick Neumann, as the John Huston-like director John Bean, takes things over. Neumann shines as the horny, hearty old American ("It's a simple name--I am a simple man.") whose vision of the revolution comprises mostly blood and tits; his prostrated plea for directorship of the film salvages the first act. Here...

Author: By Jonathon B. Propp, | Title: Myths, Movies and Men | 1/28/1981 | See Source »

...THERE BE LIGHT Directed and Written by John Huston...

Author: /time Magazine | Title: Cinema: The Disasters of Modern War | 1/19/1981 | See Source »

...heroes-John Ford, George Stevens, William Wyler, most especially John Huston-emerged from the klieg lights of Hollywood fantasy into the strobe lights of enemy strafing to record the war as artist-combatants. Ford, wounded while photographing The Battle of Midway (1942), kept on shooting and won an Oscar for his pains. Huston's war trilogy suffered more serious casualties...

Author: /time Magazine | Title: Cinema: The Disasters of Modern War | 1/19/1981 | See Source »

...Light remained suppressed for 35 years-until last month, when the Department of Defense finally authorized its release. There are good soldiers in peacetime too: silver stars should be awarded to Jack Valenti, president of the Motion Picture Association of America, and Ray Stark, producer of three later Huston films, who lobbied with the Government to liberate Let There Be Light; Ron Haver of the Los Angeles County Museum, who organized the film's first public showing; and Joseph Me Bride, whose barrage of articles in Variety cast light on the film's splendid achievements and sorry history...

Author: /time Magazine | Title: Cinema: The Disasters of Modern War | 1/19/1981 | See Source »

Wise Blood. John Huston, at his eccentric best, adapts the Flannery O'Connor tale about a Godforsaken evangelist. For red-clay craziness -weird, scary and funny-this...

Author: /time Magazine | Title: Cinema: Cinema: Best Of 1980 | 1/5/1981 | See Source »

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