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Maltese Falcon. Established John Huston as a director and Humphrey Bogart in the kind of double-edged role that became "Bogey." The third and most faithful adaptation of Dushiell Hammett's novel dwarfed its predecessors and became the screen's classic American crime tale. Mary Astor, Peter Lerre, and Sidney Greenstreet lead a cast that's perfect right down in Captain Jacobi, modling exciting mystery around the deceptive personality of detective Sam Spade...

Author: NO WRITER ATTRIBUTED | Title: the screen | 1/18/1973 | See Source »

...interests of seasonal dictates concerning goodwill, it can be said that this John Huston movie, which is inept in almost every regard, contains a performance of astonishing virtuosity by Bruno the Bear. He is large, brown, furry and friendly. He bites cigars from mouths gently but firmly. He guzzles bottles of beer with almost balletic finesse. He steals scenes effortlessly from Paul Newman, which is, alas, not quite so difficult as it once might have been. He fights bravely and dies heroically but prematurely-long before the movie has meandered to a close. Besides Newman, playing a desperado who dabbles...

Author: /time Magazine | Title: Cinema: Quick Cuts | 12/25/1972 | See Source »

WEDNESDAY: Dick Cavett. Cavett hosts 90 minutes with Paul Newman and John Huston discussing their new film The Life and Times of Judge Roy Bean. CH. 5. 11:30 p.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 12/14/1972 | See Source »

...Cause, James Dean created an unforgettable image for a whole generation in this 1955 teenage melodrama. Cast includes Natalie Wood, Sal Mineo and Dennis Hopper, CH, 56, 8 p.m. Color, 2 hrs, The African Queen, Bogart and Hepburn in the 1951 lady and the tramp classic. Directed by John Huston and scripted by James Agee. A joy to watch. CH. 7, 9 p.m. Color...

Author: NO WRITER ATTRIBUTED | Title: television | 12/7/1972 | See Source »

...Misfits. John Huston directed from an Arthur Miller screenplay, and his better instincts were restrained by the playwright's preachy ineptitude. For a film that purports to examine the limitations of man's man mystique, it shares surprisingly many of the flaws of any pretentious "adult" western. The woman who stands for Woman becomes some vague principle of both vitality and civilization. The men are so laconic that when they speak of the meaning of their lives they obtrude on the narrative unbearably. The central theme just istn't well expressed; the worst of cowboy life is represented...

Author: NO WRITER ATTRIBUTED | Title: the screen | 11/22/1972 | See Source »

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