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...trapper named Zachary Bass, who roams the Pacific Northwest during the early 18th century. The film has barely begun before Harris is attacked by a grizzly. Badly mauled, Harris is left for dead by the other members of his expedition, under the command of salty old Captain Henry (John Huston). He vows revenge. After virtually resurrecting himself, he hunts up some food, whittles a crutch, constructs a spear and strikes out overland in search of retribution...

Author: /time Magazine | Title: Cinema: Ah, Wilderness! | 12/6/1971 | See Source »

...worse is the manner in which wild horses were "captured." They were panicked by planes, then lassoed from speeding vehicles and hobbled by being tied to 100-lb. truck tires (as vividly depicted in John Huston's 1961 film. The Misfits). Some were riddled with shotgun pellets and dragged aboard trucks half dead, others had their nostrils tied with baling wire, their legs broken, their eyes gouged out. Foals were left without mothers, who burst their lungs in futile attempts to escape mechanized pursuers. Some ranchers, resentful that wild horses compete with livestock for scarce food and water...

Author: /time Magazine | Title: Environment: The Fight to Save Wild Horses | 7/12/1971 | See Source »

...talk to students in the Visual Studies Department, seemed profoundly uncomfortable when asked to introduce his works. As the Carpenter Center seems out of place in the midst of its red-brick, ivied, neo-classic or neo-gothic architectural neighbors (prompting the famous remark of Classics Professor John Huston Finley: "It looks like two pianos copulating!"), Frank felt out of place being even remotely in the vicinity of a school. "Colleges are giant hatcheries," said Frank. "Now that I have come here, today, this is the first time I really felt I understood what the word underground means. The bigness...

Author: By Timothy Carlson, | Title: Focus on America Who the Slayer and Who the Victim? | 3/23/1971 | See Source »

...Director John Huston, Scott is "one of the best actors alive. But my opinion of him as an actor is much higher than my opinion of him as a man." Huston started out as director in The Last Run, now being filmed in Spain, but he and Scott clashed over the actor's objections to script rewrites and the leading lady, Tina Aumont. There were shouting matches between Scott and Huston in the early hours of the morning. Huston eventually departed, and so did Tina Aumont. The film is now being finished under the direction of Richard Fleischer. Scott...

Author: /time Magazine | Title: Show Business: George C. Scott: Tempering a Terrible Fire | 3/22/1971 | See Source »

UNTIL Little Murders, the great American sound comedies had always been nihilistic, disrespectful of traditional film genres, but severely handicapped by their own uneasiness in scoring thematic points. It is hard to take even films as distinguished as Chaplin's Monsieur Verdoux or Huston's Beat the Devil as little more than devastating evidence of the director's hatred for the work he had been doing and the authorities he had obeyed. Chaplin could glorify his own superiority, Huston could include himself (through Bogart) in ironic rings of betrayal and failure; the result was the same. Righteous indignation was nullified...

Author: By Michael Sracow, | Title: FilmsLittle Murdersat the Cheri | 3/22/1971 | See Source »

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