Word: hustson
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...captured bawdy, naughty Paris at the turn of the century, and he portrays equally well back street cafes and fashionable clubs. Yet I think Technicolor was the wrong medium. The blaring red, white, and blue type of photography considerably weakens whatever artistic subtlety the film has. Although sometimes Hustson subdues the color with dawn light or smoky pallor, many scenes seem ridiculously gaudy...
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