Word: huttons
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Nobody came on to the movie camera - wrapped it in a bear hug and wrestled it to submission - like Betty Hutton. They called this 40s singer-actress "the Blitzkrieg blond" for an energy that would make Rachael Ray seem logy by comparison. Film critic James Agee, and other scribes at TIME, described her variously as "rubber-jointed," "brass-lunged," "super-dynamic," "bouncing, bawling," "raucous, rampageous." To Bob Hope she was "a vitamin pill with legs." She seemed to have swallowed a truckload full of them before every performance; she was indomitable, unstoppable, the Fuller Brush flack with a quick smile...
...TIME wrote that she possessed a curious "bellicose zeal and tomboyish winsomeness." Offscreen, blond bombshell Betty Hutton struggled with an addiction to pills and four failed marriages. Onscreen she lent a brash, explosive energy to such films of the '40s and '50s as Annie Get Your Gun and The Miracle of Morgan's Creek. After walking away from Paramount--and her film career--in a 1952 dispute, Hutton acknowledged she could be, well, temperamental. "When I'm working with jerks with no talent, I raise hell until I get what I want," she said...
...Betty Hutton's understudy in Panama Hattie she got to fill in a few times. The show's director, George Abbott, was pleased, and gave Allyson a lead role in his next musical, Best Foot Forward. When MGM did the movie version, Allyson went west, and stayed there. So did Stanley Donen, who would soon graduate from chorus boy to choreographer and director, and Hugh Martin and Ralph Blane, whom the studio signed to write the score for Meet Me in St. Louis, starring the MGM princess Judy Garland. The diva and the ingenue would become lifelong friends...
...only three years ago, when Sydneysiders were asked to vote on a similar plan for the harborside MCA, they gave it the thumbs-down. European architects Sauerbruch Hutton had won an international design competition to redevelop the former Maritime Services building (one scheme involved a "lightbox" over the existing art deco edifice; another had it demolished and replaced with what detractors likened to a petrol station). But public support waned, and the plan was eventually scrapped. Instead, director Macgregor set about improving the existing building, turning around the museum's deficit, and widening its community outreach; for the first time...
...raising money for famine relief in Africa that he lacks the time and inclination to drag a blade across his jaw. Grab some rays at a tennis tournament and scrutinize the botanical shadow on Bjorn Borg's face. Take a trip down to the local triplex: Mickey Rourke, Timothy Hutton and Christopher Lambert are scruffing up the screen; Mel Gibson, as Mad Max, is atomizing his enemies; Sylvester Stallone and Chuck Norris are rounding up all those POWs and MIAs in Asia. It's a jungle out there, and when the enemy is lurking in the undergrowth...