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...Horizontal Lieutenant (M-G-M). Funnyman Jim Hutton, 26, is an unpolished bean pole (6 ft. 3 in.) who gangles at all angles like the second-string center on a Y.M.C.A. basketball squad, but sputters sourprises like a bright, green Lemmon. Funnywoman Paula Prentiss, 23, is a Texas skyscraper (5 ft. 9¼ in.) who can look slim Jim in the eye without a periscope, and can come on and cut up like a junior-miss Rosalind Russell. If humor were measured in inches, Hutton and Prentiss would be the daffiest double in show business; since...

Author: /time Magazine | Title: Cinema: Bumper Crop of Nuts | 4/13/1962 | See Source »

Divorce & a Horse. Divorce was Giesler's other specialty. Married twice himself (he had two daughters and one son), he helped Barbara Hutton divest herself of Cary Grant, took the side of Lady Sylvia Ashley against Clark Gable, Marilyn Monroe against Joe DiMaggio. In his most bizarre case, he defended the life of a horse named Tom Boy whose owner's will had decreed that the stallion should be destroyed to save him from mistreatment; and in perhaps his most celebrated case, he won an acquittal for Charlie Chaplin, charged with a violation of the Mann...

Author: /time Magazine | Title: Hollywood: The Ambivalence Chaser | 1/12/1962 | See Source »

...films the little lady-she stands 5 ft. 1½ in., weighs 100 Ibs.-has developed, by sheer work and sheer nylons, into an effective hoofer and a get-by ballad-belter. And in recent films she has emerged as a competent utility comedienne, a half-fast Hutton, a pingpong Ball with lots of bounce...

Author: /time Magazine | Title: Cinema: The Second Time Around | 1/12/1962 | See Source »

Last week Manhattan's Leonard Hutton Galleries had on display the first one-man Münter show in the U.S.-44 paintings whose colors glow in bright chunks and whose landscapes shimmer under blazing skies. Gabriele is the sole surviving member of Germany's Blue Rider group, which included not only Kandinsky but Franz Marc and Paul Klee.* In spite of her bright palette, there is no gaiety in her canvases; they are intense, charged with emotion, and all a trifle sad-like the artist herself...

Author: /time Magazine | Title: Art: Gabriele | 12/29/1961 | See Source »

...room. She is Brigid Bazlen, a cute, twitchy little trick who does most of her acting with her eyebrows. Then in pops Paula Prentiss, a tall, gawkily gorgeous brunette who is, as one girl must be in every properly run comedy, helplessly nearsighted. She is an old flame of Hutton's whom he left, not, as it would happen in the real world, because she had a cork leg or wanted to live in Chicago, but because she had $40 million and he had none. According to the ancient and wonderful rules of this sort of kabuki, Hutton...

Author: /time Magazine | Title: Cinema: Follow That Mothball | 8/4/1961 | See Source »

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