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Prior to the announcement, Dutton had performed abortions at Planned Parenthood of Wisconsin, whose President and CEO Teri Huyck thanked Dutton "for providing Wisconsin women with compassionate health care" as the group's associate medical director, according...

Author: By Xi Yu, CRIMSON STAFF WRITER | Title: Wisconsin Abortion Doctor To Join Harvard Medical School | 6/18/2010 | See Source »

...Levi said.Now, midway through the GSD project, the students are beginning to realize the difficulty of meeting the many disparate voices invested in the architectural future of Harvard. THE ARCHITECTURE OF NEGOTIATION“The premise of this studio is politics,” said Edward T. Huyck, a teaching assistant for the course. “It means negotiating with communities, negotiating with the student population, negotiating with the administration and their goals, [with] the board, with alumni.”Given the many real-world challenges of the project, Allston has proved to be an excellent hypothetical testing...

Author: By Charles J. Wells and Courtney P Yadoo, CRIMSON STAFF WRITERS | Title: Students Plan House Renewals in GSD Studio Course | 11/24/2008 | See Source »

...lemon grow. And, yes, never the twain shall meet. But the poet's point is a poor comic premise. Though Best Defense provides both stars a few funny moments and offers some promising satirical ideas, its binary construction imposes a fatal jumpiness on it. Gloria Katz and Willard Huyck, who co-wrote American Graffiti and Indiana Jones, have proved they can do better. Huyck, the director here, will have to prove on some other occasion that he has a gift for being funny on film as well as on the page...

Author: /time Magazine | Title: Rushes: Rushes: Aug. 6, 1984 | 8/6/1984 | See Source »

Directed by Steven Spielberg; Screenplay by Willard Huyck and Gloria Katz

Author: /time Magazine | Title: Cinema: Keeping the Customer Satisfied | 5/21/1984 | See Source »

...direction generally accentuates the script's failings. Though Huyck cuts frantically among his stories, he tuckers out the audience without ever accelerating the film. The elaborate finale, involving a chaotic end-of-term school play, does not achieve its intended purpose of ty ing all the plot lines into a bittersweet cli max. What is missing is Lucas' fluent visual language. In cinematic terms, French Postcards sadly proves to be not so much American Graffiti as fractured Franglais. Rich

Author: /time Magazine | Title: Cinema: Culture Gap | 11/5/1979 | See Source »

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