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...Protestant democratic usage, all faithful Christians are saints, as the word is used throughout the New Testament epistles. Thus a popular Protestant hymn notes that the "saints of God are just folks like me." But Protestants, like Catholics, do sometimes distinguish between the everyday and the heroic. Despite the criticism of his authoritarian personality and his patronizing attitude toward Africans that arose even before his death, Albert Schweitzer is still commonly considered a Protestant saint. So is the Lutheran martyr to the Nazis, Theologian Dietrich Bonhoeffer. Salvation Army Founder William Booth, African Missionary David Livingstone and Methodism's revered...

Author: /time Magazine | Title: SAINTS AMONG US | 12/29/1975 | See Source »

...chorale, describing death as part of life's "delight and woe," is sung to A Mighty Fortress Is Our God, while the orchestra counters with a cabaret tune of incredibly sweet pathos. From this juxtaposition emerges a requiem for a civilization literally going up in smoke, but the hymn's chords reassert the promise of redemptive life...

Author: /time Magazine | Title: Music: A Gallows Opera | 12/29/1975 | See Source »

Although he barely escaped death when the fire bomb exploded in his home office, Coleman insisted he is not bitter and expressed his faith by reciting "The Battle Hymn of the Republic...

Author: By Mark T. Whitaker, | Title: Black Leader, a Bomb Target, Urges Fight Against Racism | 12/18/1975 | See Source »

Nostalgia for nostalgia's sake seems to be the only plausible explanation for this show. Fifty-eight songs follow each other with breakneck rapidity, and they date from 1840 to 1938. No discernible rationale governs the choices. They range from the martial patriotism of Battle Hymn of the Republic through the blatant silliness of Rudolf Friml's Something Seems Tingle Ingleing to the Hollywood beat of Lullaby of Broadway...

Author: /time Magazine | Title: The Theater: Good Ship Lollipop | 12/1/1975 | See Source »

...somewhat lugubrious in its treatment of the light dance-tunes, and their heavily accented version of the Shaker song "Simple Gifts" sounded a bit like "The Battle Hymn of the Republic", but these failings were more than compensated for by their delicacy during the so-called duo between the Bride and her Intended, and by the almost fervent, prayerful quality they brought to the quiet ending...

Author: By Joseph Straus, | Title: The Agony and the Ecstasy | 11/4/1975 | See Source »

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