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Word: hymning (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

SPEAK, MEMORY, by Vladimir Nabokov. Robbed of his Russian youth by the revolution, Novelist Nabokov has tirelessly caressed his memories of it in this autobiography, now published in its final form -a hymn to childhood...

Author: /time Magazine | Title: Television: Jan. 27, 1967 | 1/27/1967 | See Source »

...success by leaving the U.S., where he lived until 1960, to take up a voluntary exile in a hotel in Montreux, Switzerland-as near as he can get to the source of his memories, as near as he wants to get. In a foreword to this splendid hymn to his past, he suggests that one day he will write a sequel, Speak On, Memory, covering the years spent in America...

Author: /time Magazine | Title: Books: The Reality of the Past | 1/20/1967 | See Source »

VAUGHAN WILLIAMS: HODIE (Angel). This first recording of Williams' cantata has some exuberant, even jazzy moments, but the general mood is sweetly hushed and hymnlike -a reverent setting for various poetic passages about Christmas, such as Thomas Hardy's Oxen and Milton's Hymn on the Morning of Christ's Nativity. David Willcocks turns in his usual impeccable performance as director of the several choruses and the London Symphony Orchestra...

Author: /time Magazine | Title: On Broadway: Dec. 16, 1966 | 12/16/1966 | See Source »

...color of a patchwork quilt. The fact that the University Choir chose to perform them in St. Paul's Catholic Church in its fall concert Sunday night contributed to making the piece a spectacle. The Vespers form a very complex whole--they consist of a response, five psalms, a hymn, and the Magnificat, together with corresponding plainsong melodies which precede and follow each movement except the hymn. In addition, each of the eight movements is rhythmically heterogeneous, as if each voice part had its own time signature, and even that changed every measure...

Author: By F. JOHN Adams, | Title: Harvard University Choir | 11/22/1966 | See Source »

...with the violins producing elegant duet passages in the Magnificat. The strings contribute warmth, but most of the color came from the wind section, a combination of two oboes, English horn, bassoon, and trombone. Lisa Crawford's organ part was solid, even though her choice of registrations in the hymn made the accompaniment too prominent...

Author: By F. JOHN Adams, | Title: Harvard University Choir | 11/22/1966 | See Source »

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