Word: hyperionã
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Dates: during 2002-2002
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...theme to the play’s framework, leading to Richard III in fascist Italy or Romeo and Juliet at a post-apocalyptic rave. The third posits some new interpretation of a character that flows against the traditional grain, allowing a lovable, misunderstood Iago or a courageous, bloodthirsty Hamlet. Hyperion??s current version of Macbeth takes both the first and third avenues...
...There is a whole train of thought that says the witches are a part of Macbeth’s mind. They are his unconscious,” said Garber. “Othello needs Iago, Macbeth needs the witches and Hamlet needs the ghost.” Hyperion??s production helps physically realize that necessity as the witches serve as murderers and messengers...
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