Word: hyperion
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Dates: during 2000-2009
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...Hyperion; 354 pages...
...Hyperion Shakespeare Company’s “Richard II” wants very badly to explore the politics of gender. The production, which ran this weekend in the Horner Room of the Agassiz Theater, brings an all-female cast to Shakespeare’s history play in an attempt to question the nature of power and whether an authoritative ruler needs to be aggressively masculine. In reality, however, the production only half succeeds in its goal; though it successfully reinvents the character of Richard, it leaves the rest of the cast lagging behind. The directorial decision to focus...
...most vital and affecting pieces; the tale of Richard’s deposition by Henry Bolingbroke addresses the key question of what it means to be a king and what it means to overthrow one. By approaching this classic tale of Richard II with a new angle, Hyperion ambitiously turns the audience’s attention to a play worth exploring for its mix of political and personal drama...
...performance, directed by Sam L. Linden ’10 and put on by the Hyperion Shakespeare Company at Harvard, consists of nine scenes describing the seven deadly sins as manifested in various works of William Shakespeare. Its characters range from tortured to downright oblivious, and all of them find themselves victims of a particular fatal flaw. One can laugh and even sympathize with them, but would certainly never want to become them, though it is always clear how easily one could...
...drag or not to drag?” This fall, the Hyperion Shakespeare Company answered that long-provoking question affirmatively. The theatrical student group will run a student-directed, all-female version of “Richard II” from October 21 to 24 in the Agassiz Theatre...