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Word: hypnerotomachia (lookup in dictionary) (lookup stats)
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...reflected by the way in which contemporary paintings on the walls of his spacious apartment are interspersed with drawings by his grandson, and the alacrity with which he leaps up to show off his antique-book collection. Unlocking the glass case he pulls out a copy of the Hypnerotomachia Poliphili, a richly illustrated 1499 volume, most often ascribed to a monk, Francesco Colonna, whom Eco describes as "the Joyce of his time...

Author: /time Magazine | Title: A Resounding Eco | 6/5/2005 | See Source »

...leading English and Italian scholars. It will open up areas of Venetian art that few but specialists were aware of. One is the print, part of the legacy of the 16th century publisher Aldus Minutius. The skill and beauty of the Aldine editions of illustrated works like the Hypnerotomachia Poliphili fostered an unsurpassed quality in Venetian woodblock cutting. Indeed, Titian's twelve-sheet print The Submersion of Pharaoh's Army in the Red tonal vigor and grandeur of notation, is to woodcut what the Sistine Chapel is to fresco...

Author: /time Magazine | Title: Art: The Legacy of La Serenissima | 2/6/1984 | See Source »

...print collections have been considerably augmented. To the Gray Collection have been added, by purchase with the income of the Gray Fund, Calvary, a woodcut by Durer; Prophet Jeremiah, a copper-plate engraving of the Baldini-Botticelli series; and a reproduction of the Hypnerotomachia Poliphili of 1499. To the Museum Collection: Rivers of England, 18 prints (engraved in mezzotint after designs by J. M. W. Turner), by J. Bromley, T. Lupton, G. H. Phillips, S. W. Reynolds, W. Say, and C. Turner, a gift from Miss Elizabeth G. Norton; a portfolio of 40 prints, engraved in mezzotint and stipple, facsimiles...

Author: NO WRITER ATTRIBUTED | Title: Fogg Museum Report | 1/20/1906 | See Source »

...place at the same time Goethe was writing this half it is not at all improbable that he was influenced by these wood-cuts. The most conspicuous coincidence is in regard to the mother scene. Goethe himself when asked where he got his idea said from Plutarch. In the Hypnerotomachia however, there are two wood-cuts, the first showing a rock in which are cut three gates, the inscription over the middle one being "mater amoris," the second showing the meeting of the hero after he had passed through the gate with several woman, one of whom, a motherly looking...

Author: NO WRITER ATTRIBUTED | Title: Modern Language Conference. | 12/8/1892 | See Source »

Prof. Francke has written to the Goethe library to find if the Hypnerotomachia is among Goethe's books. In case it is, there is a strong probability that Goethe had these wood-cuts in mind while writing the second half of Faust...

Author: NO WRITER ATTRIBUTED | Title: Modern Language Conference. | 12/8/1892 | See Source »

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