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Second, Clavell clearly has not been affected by any of the hysteria over recognition of film as a visual art which has forced some old pros and inchoate apprentices to strive hysterically for a "look": more specifically, a "now" look. From his work, I assume that Clavell would think even the serious theories to be so much drivel. I don't know if I'd call him a "good storyteller" as Pauline Kael did, but that is precisely what he intends to be, and at times he is successful. He is crude in the sense that a Michael Curtiz...

Author: By Michael Sragow, | Title: Movies The Last Valley at the Gary | 2/22/1971 | See Source »

...joke now take them more gravely. In the New York Times, Tom Wicker argued that "if the Government cannot sustain these serious charges?better, for instance, than it was able to justify those against the Chicago Seven?it will provide another shocking example of the kind of official hysteria that so often damages individuals and clouds the public climate." Later the Times noted editorially: "Reason must await the facts...

Author: /time Magazine | Title: The Nation: The Berrigans: Conspiracy and Conscience | 1/25/1971 | See Source »

...hysteria over the word "ecology" has submerged most real issues. Ecology is an idea of balance and not a political issue. Politics never seem to transcend the scale of banner-waving. "Ecology" does not comfortably fit a banner. Banners that are waved too hard tend to flutter at last in tatters...

Author: NO WRITER ATTRIBUTED | Title: Frogs | 1/6/1971 | See Source »

...have done. Maureen Stapleton gives a high-strung, neurotically personal performance, but we can never relate the woman onstage with the poster on the wall that says she once sang in Carnegie Hall. The Evy before us might be a suburban housewife in a severe funk. Stapleton's hysteria is totally convincing, though she speaks in a peculiarly strident and monotonous voice. The unfailingly attractive Betsy von Furstenberg seems to be reciting her lines rather than delivering them. Lombard is most felicitously cast as the homosexual actor and is uncannily reminiscent of James Coco in Last...

Author: /time Magazine | Title: Theater: Comic Tearjerker | 12/28/1970 | See Source »

They begin the film after the initial Altamont hysteria has died down, with the Stones (mostly Jagger) watching the assembled footage on an editing machine. As the film tour progresses, interspersed with scenes of the preparations for the free concert, there are occasional cuts back to the Stones reacting to what they...

Author: /time Magazine | Title: Cinema: Apocalypse '69 | 12/14/1970 | See Source »

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