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Word: iambic (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

Typically, the singer delivers a line or two of iambic pentameter which is followed by a complementary instrumental figure which leads into the second line which is often a word for word repetition of the first line. This second line is often punctuated at the beginning with an explanation like "Yeah, Lord have mercy," or "Baby." The third line resolves in some way the thought described in the first two lines. Thus every song or spoken phrase in a Blues number is balanced or commented upon by an instrumental response often carrying with it as important a message...

Author: By James C. Gutman, | Title: B.B. King Is King of the Blues--Black Music That Whites Now Dig | 2/27/1969 | See Source »

They are right. Director Jean de Rigault carves his laughs out of the rich lines of iambic pentameter, relying very heavily on the full tone range of his actor's voices, their bodies--especially arm gesturing--and the expanse of the stage. A fine example comes in one of the very first scenes when Orgon, the master of the house, returns from a business trip and asks the maid, Dorine, what has happened during his absence. She answers that his wife has been sick, indeed had to be bled. But Orgon is interested only in hearing about Tartuffe, the religious...

Author: By Kerry Gruson, | Title: Tartuffe | 10/11/1968 | See Source »

Moliere's play conforms strictly to the dramatic conventions of his time. The action takes place at one point in time, in the same place, in five acts. The protagonists speak in rhymed iambic pentameter throughout. Within these limitations Moliere, assisted by Le Treteau de Paris, has managed to create at the Loeb a comedy, which is at the same time so disturbing that, as Stendahl put it, we dare not always laugh...

Author: By Kerry Gruson, | Title: Tartuffe | 10/11/1968 | See Source »

...part of Rosalind's confidante Celia, Charles Kay heightened the hu mor simply by reciting his iambic rantings in a sonorous baritone. And the actor-actors, headed by Jeremy Brett as Orlando, supported their mates with straight-faced manliness...

Author: /time Magazine | Title: The Stage Abroad: Men Without Women | 10/13/1967 | See Source »

...reviewer of The Wobblies [July 7] took me through iambic, pentameter, didactic, hortatory, diffident, progenitor, detestation, existentialism, scintilla, quixotic, schematic, protagonist, bourgeois, onomatopoetically, proletariat, crux, status quo, ante, minimal, prosody, recalcitrant, quiescent, ideologically, ascendancy, coalesce, dactyl and elegiac. But what, pray, is a bindle stiff? Is it possible that your man owns all these words as an integral part of his vocabulary...

Author: /time Magazine | Title: Letters: Jul. 21, 1967 | 7/21/1967 | See Source »

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