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Lighter and more amusing was Gold Standard, done to music by Jacques Ibert, with settings by Nicolas Remisoff who designed a park with blue trees and pink water. Ruth Page was an alluring young heroine in leg-of-mutton sleeves and a big straw hat. She danced away fleetly with an elderly merchant because his hind pockets bulged with gold. But at the end she was back with her young lover, whirling in a mad cancan. Chicagoans left the opera house marveling at what Dancer Page had accomplished with a comparatively new troupe, marveling at the courage and energy...

Author: /time Magazine | Title: Music: Ballet in Chicago | 12/10/1934 | See Source »

...Cinq Gentilhommes Maudits." Barry Baur, the Fault Jannings of the French stage who plays the lead in "David Golder," which will be produced later in the year, is cast as the genial host in the coming film. The role of the heroine is portrayed by Rose Dercan. Jacques Ibert composed the music, which aids greatly in the interpretation of the story

Author: NO WRITER ATTRIBUTED | Title: FRENCH MOVIE WILL BE GIVEN DECEMBER 15, 16 | 12/1/1932 | See Source »

...taken in mountainlands high above Nice and the natives are still talking about the rueful old man who rode about on a ribby white horse which he insisted on flitting each day. In his U. S. concerts Chaliapin will sing three songs written for his cinema by Jacques Ibert, pupil of Maurice Ravel...

Author: /time Magazine | Title: Music: Aid | 11/21/1932 | See Source »

...beginning, with his energetic Symphony in D, cooked to order at his father's command to tickle the palate of a Salzburg burgomaster. Schumann was next with his Concerto in A Minor, with Pianist Alfred Cortot to spin the important thread cunningly. Then came a stranger, Jacques Ibert, with three pieces from his ballet suite, Les Rencontres, given its U. S. premiere a fortnight ago by the Boston Symphony. In conflicting keys, restless violins traced his vagaries of flower girls and Creoles in the Debussy manner, gossiping women, fishwives taken rag and bone from Stravinsky. Critics damned it, called...

Author: /time Magazine | Title: Music: Orchestras | 11/8/1926 | See Source »

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