Word: ibsen
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Dates: during 1950-1959
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Tallulah Bankhead last week made most TV screens seem far too small. On the U.S. Steel Show (alt. Tues. 9:30 p.m., ABC-TV), starring in a production of Hedda Gabler, Tallulah turned Ibsen's devious, subtly evil heroine into a flamboyant, shouting hussy. It was like a lioness playing Puss in Boots. To TV audiences educated to the quiet underplaying of such shows as Dragnet, watching Actress Bankhead was a startling experience...
...women want men") and invented, as well as borrowed, quite a lot of amusing stage business. Betsy von Furstenberg shines as the amoral Eve who wants to settle down without settling up; Hollywood's Gig Young persuasively proves that the breakdown of modern society began with Ibsen's A Doll's House, and Franchot Tone-though cut from pure theatrical cardboard-nevertheless acts with sufficient weight to hold the farce in place on the stage...
...stretch when he lived at Jimmy the Priest's saloon in Manhattan and slept on the hickory-topped tables, too broke to pay $3 a month for a room. At 24, hospitalized with a mild case of tuberculosis, he began to think about writing plays. Primed on Ibsen and Strindberg, he enrolled in Professor George Pierce Baker's famed 47-Workshop at Harvard. His first published play, The Web, was set in a squalid boardinghouse. Its three main characters (not counting an illegitimate baby in the cradle) were a prostitute, a pimp and a murderer. The play...
...Franz Liszt sighed as Misia Sert played the piano, "Ah, if only I could still play like that." Grieg asked her to play the Peer Gynt Suite with him. Ibsen presented her with his autographed portrait. Mallarme wrote poems to her. Verlaine read her his verse and wept. Toulouse Lautrec painted her picture, then tickled the soles of her feet with his brush. Bonnard did murals for her salon. Picasso made her godmother to his first child. Proust called her beautiful. Maillol asked her to pose for sculpture. "In you the image of immortality seems achieved," he wrote her. "There...
English 160, "Drama Since Ibsen," twice outgrew its assigned lecture halls, and finally lodged in Sanders Theatre, making Sanders to lecturers what the Palace was to Vaudeville. The reason for 160's sudden sprouting was Robert Chapman, Assistant Professor of English. His intense interest in things theatrical has drawn both dilletante and serious student with equal force...