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Word: ibsen (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...Opera, heading toward its 2,300th performance; The Connection, a now famed pad full of Method hipsters seeking to prove that the opiate of the people is heroin; and Little Mary Sunshine, a boffo operetta satirizing the Kerny, Frimlous past. Among worthy revivals, there is a superlative production of Ibsen's Hedda Gabler, a welcome reprise of Epitaph for George Dillon, by John Osborne and Anthony Creighton, and one sleeper, The Octoroon, a reasonably lively, reasonably funny-by-now melodrama of pre-Civil War days...

Author: /time Magazine | Title: Cinema: Feb. 17, 1961 | 2/17/1961 | See Source »

...toward its 2,300th performance; The Connection, a now-famed pad full of Method hipsters seeking to prove that the opiate of the people is heroin after all; and Little Mary Sunshine, a boffo operetta satirizing the Kerny, Frimlous past. Among worthy revivals, there is a superlative production of Ibsen's Hedda Gabler and a welcome reprise of Epitaph for George Dillon by John Osborne and Anthony Creighton...

Author: /time Magazine | Title: Cinema: Feb. 10, 1961 | 2/10/1961 | See Source »

...next year Bate pointed out the return of theatre and novel courses--not ably English 160, "Drama since Ibsen;" English 151, "The 19th-Century English Novel;" and English 181, "Narration in the Novel." Edgar Rosenburg, Briggs-Copeland Assistant Professor of English Composition, has been named to teach English...

Author: By Michael S. Lottman, | Title: English Dep't. to Add Ten Courses Next Year | 2/6/1961 | See Source »

...short stories by August Strindberg. This juxtaposition is appropriate, because the stories are valuable both as entertainment and as psychological studies. One, the story of dust, is a bitter, sardonic chronicle of a marriage without love, and the other, that of love, is a delightfully pointed satire, of Ibsen's A Doll House...

Author: By Arthur D. Hellman, | Title: Of Love and Lust | 1/23/1961 | See Source »

...original theater, and seems to be settling for a rehash of old material, plus a scattering of pseudo avant-garde plays. While this pattern has proven disappointing to those who still seek new blood and fresh ideas off-Broadway, it provides a comfortable combination of tried theatrical works (Strindberg, Ibsen, and Shaw most conspicuously), with thin, spicy plays designed to quench a respectable suburban thirst for Evil...

Author: By Frederick H. Gardner, | Title: Off-Broadway Theater | 12/19/1960 | See Source »

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