Word: ibsenism
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Dates: during 1970-1979
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...HENRIK IBSEN...
...time when women were perceived as gentle suppliant chattels, Ibsen was probing the feminine psyche in depth. Ellida (Vanessa Redgrave) is an Ibsen heroine who finds herself. She owes much to a husband, Wangel, who is patient, wise and totally generous, precisely those qualities that Nora's husband, in A Doll's House, lacked. Ellida is tormentedly neurotic. She is the doctor's second wife, and she married him for financial security, not love...
...itself obsesses her. Ibsen uses it as a symbol, a cauldron of suppressed desires, a deep well of the unconscious. The Stranger appears and demands that she go away with him. Ellida pleads with the doctor to release her from their marriage vows. In anguish of spirit, Wangel does so, and that one act exorcises the past. As a woman "of her own free will," Ellida chooses to stay with...
...Lady from the Sea is not one of Ibsen's strongest dramas, but it is psychologically compelling. As Ellida, Vanessa Redgrave illuminates the repressed sexuality, the abstracted inability to relate to others, the state of being "absent from oneself." Pat Hingle has never done more sensitive work than in portraying an unbelievably decent...
Last year's Royal Shakespeare Company production of Hedda Gabler has been transferred to the screen for reasons that remain mysterious. This is stolid, stilted Ibsen performed by a gallery of waxworks. The movie preserves Glenda Jackson's Hedda for posterity. Posterity has no choice but to accept -but it does not have to be kind...