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...Ibsen might not have recognized his valedictory in Robert Wilson's visually spectacular and verbally stripped-down version. But this directorial coup of the year reinforced Wilson's nonpareil standing as a sculptor of stage space...

Author: /time Magazine | Title: Best of 1991 | 1/6/1992 | See Source »

...Ibsen might not have recognized his valedictory in Robert Wilson's visually spectacular and verbally stripped-down version. But this directorial coup of the year reinforced Wilson's nonpareil standing as a sculptor of stage space...

Author: /time Magazine | Title: Best of 1991:Theater | 1/6/1992 | See Source »

...DOLL'S HOUSE. Director Ingmar Bergman gives Ibsen's landmark drama of women's liberation a poignancy and tension comparable to the best in his films by trimming the chitchat and keeping all the clashing characters onstage at all times. The Royal Dramatic Theater of Sweden's production, in Swedish with English translation via headphones, is at the Brooklyn Academy of Music this week only...

Author: /time Magazine | Title: Critics' Voices: Jun. 24, 1991 | 6/24/1991 | See Source »

WHEN WE DEAD AWAKEN. In Europe, Robert Wilson is the most famous American stage director. In the U.S., the anti-verbal, visually lyrical elder statesman of the avant-garde is little known. He designed, mounted and adapted for Harvard's American Repertory Theater this spellbinding Ibsen dreamscape about an artist looking back and summing...

Author: /time Magazine | Title: Critics' Voices: Mar. 11, 1991 | 3/11/1991 | See Source »

When We Dead Awaken By Henrik Ibsen Adapted and Directed by Robert Wilson At the American Repertory Theatre Through March...

Author: By Garrett A. Price, | Title: Wilson Staging Betrays Ibsen's Work | 2/22/1991 | See Source »

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