Word: ibsenism
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...have produced an alluring (any sense of the word will do) portrait of how creative people live, how the social world of the arts functions. Creating Vuillard-like interiors that Vuillard could not wait to paint, making a cult of Bernhardt, sailing on a pilgrimage to Norway to meet Ibsen - through myriad details a creative world comes alive...
...powerful few can have over a city's lifeblood. Revealing how the city is run by "an unelected corporate shadow government" is a matter of duty for Kucinich. His targets react by branding him "Dennis the Menace," an enemy of the people. With the fervor of an Ibsen protagonist, he says, "We're going to keep exposing these liars, these crooks, who masquerade as good, upstanding citizens of the community but are morally rotten." Unlike most, this advocate of economic democracy communicates well with ordinary voters...
DIED. Yaeko Mizutani, 74, grande dame of the Japanese stage for a quarter of a century; of cancer; in Tokyo. A breathtaking beauty, Mizutani made her stage debut at eight and became the national sweetheart, playing romantic roles in plays by Tolstoy, Shakespeare and Ibsen. In 1928 she joined Japan's renowned Shimpa theater company, and later proved her acting talents in films and on television...
...filed scripts as vehicles for individual talent and egos, we will see style and 'razamataz', we will see anything but theater that probes or investigates, links an intellectual insight to an emotionalism with talent and style to produce a work of true theater, a work in the tradition of Ibsen, Chekhov, Brecht, Beckett, and many other great writers...
...bring to undergraduate drama, take his basic "no more masterpieces" approach to the "classical" canon, an approach that discourages dull, "definitive" productions, promoting constant re-interpretation and directorial probing into the heart of each play. He has written at great length, most recently in a splendid defense of Henrik Ibsen in this month's issue of Decade magazine, about applying this theory to contemporary social problems. A director, he has written, must try to infuse the "classics" with comtemporary meaning, to apply the general human problems as the playwright articulates them to their specific symptoms in our time and place...