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Word: ibsenism (lookup in dictionary) (lookup stats)
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...DOLL'S HOUSE. Joseph Losey's version of the Ibsen classic is frosty and severe, embellished with several clumsy contemporary asides about the injustices heaped on women. It has the vigor and passion of commitment, however, and the cast is superb. Trevor Howard's Dr. Rank is gruffly tender; Delphine Seyrig's Kristine, a woman of tentative but dependable dignity; and Edward Fox's Krogstad, a figure of understandable desperation. David Warner makes Torvald into a complex, insidious but always human figure. It is a performance of the foremost skill and intelligence, and includes...

Author: /time Magazine | Title: Cinema: Festival Days in New York | 10/22/1973 | See Source »

...DOLL'S HOUSE, by Henrik Ibsen. This is a play of which I have only seen the Claire Bloom movie, which I liked, though The Crimson's reviewer did not. There is now a Jane Fonda movie as well. A great play. MIT Community Players. Opens tonight at 8 at the Kresge Little Theater...

Author: NO WRITER ATTRIBUTED | Title: the stage | 10/4/1973 | See Source »

...SMOOTHLY, it finally did. For all the ladies' talk that followed, you'd think that King's victory was going down in history as a landmark of the Liberation, as epoch-making as the day of Ibsen's Nora's doorslam, or the day that tanks succeeded cavalry. But after all the fuss, the match wasn't much. It wasn't much...

Author: By Emily Fisher, | Title: The Sugar Daddy Won't Last All Day | 9/25/1973 | See Source »

...movie retells the story of one of the theatre's (Ibsen's) first angry women. Or at least the first to slam the door on her husband and children and on the Victorian respectability that buttressed a lifetime of security. Having been educated to believe that men were better, Nora is unconscious of her oppression. It is so built into her head that it takes her the whole movie to see it, much less to summon the guts to rebel against...

Author: By Emily Fisher, | Title: Sighs and Dolls | 7/13/1973 | See Source »

...seductive movies are. He knows how their emotional immediacy can inject the message into your bloodstream before you have time to consider the issues raised. And this somebody is laying it extra heavy on the 'liberation' in the movie. It is as if he had just discovered dynamite in Ibsen's ending and blasted it off for real...

Author: By Emily Fisher, | Title: Sighs and Dolls | 7/13/1973 | See Source »

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