Word: ibsenism
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...Wild Duck is something of an anomaly among Ibsen's dramas. Those who have seen or read such signature pieces as A Doll House or An Enemy of the People will find the most memorable features of those earlier works either absent or grotesquely parodied in this odd, often confounding, yet strangely moving tragicomedy. Mingling, even juxtaposing, humor and pathos, undercutting the concept of the heroic ideal with lacerating irony, and completely devoid of the compelling central figure so key to the other plays, it is also arguably the trickiest one to interpret and perform. The current American Repertory Theater...
Martin Guerre is the big news and the big disappointment in a London season filled with intimate epics (all of War and Peace in 4 1/2 affecting hours!), incandescent stars (a ragged but potent revival of Ibsen's John Gabriel Borkman with Paul Scofield and Vanessa Redgrave), one thrilling biodrama (Pam Gems' Stanley, on English painter Stanley Spencer) and lots of musicals about dead pop singers (Buddy, Elvis and, for Pete's sake, Jolson...
Ultimately, the intimacy of the Loeb Ex space makes for colored girls attractive and successful. The production retains the closeness of a poetry reading but contains the power of an Ibsen tragedy. The quality of this production gives hope for a similar production of other poetry-cycles such as Rita Dove's Thomas and Beulah. With Matthews fine production of for colored girls who have considered suicide when the rainbow is enuf as precedent, it would be a pity if nothing else was attempted in the same vein...
...definition, of health. His own robust literary output flows from different sources. "It's the mixture of physiology with poetic and often tragic accounts of the subjective aspects of being ill, of neurological syndromes which fascinates the two halves of me," he says. "I might go to an Ibsen play one night and a physiology meeting the next." Now those two halves have come together. "It's the relation between these two centers that is sometimes complementary...
Bloom does not really expect his Common Readers to master 850 or so writers. He wants them to pay close attention to the 26 discussed in the bulk of his book: Shakespeare, Dante, Chaucer, Cervantes, Montaigne, Moliere, Milton, Dr. Johnson, Goethe, Wordsworth, Austen, Whitman, Dickinson, Dickens, George Eliot, Tolstoy, Ibsen, Freud, Proust, Joyce, Woolf, Kafka, Borges, Neruda, Pessoa and Beckett. This grouping, Bloom's elite among the elite, holds few surprises: an obligatory academic obscurity (Portuguese poet Fernando Pessoa), four women and a majority of D.W.E.M.s. (Bloom gives canonical status to Homer and the major Greek dramatists and philosophers...