Word: ibsens
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...that in the same issue as your delightfully acerbic Essay on "neologisms, coinages and other abuses" of the English language, men like Ibsen and Nietzsche were "astrodomed," Frank Wedekind "psychographed" his subject. Von Karajan makes Mahler "more immense" (less immense? a bit more immense?). Midnight Express is "hyped-up" (hyped-down? hyped-over...
Intellectually speaking, G.B.S. was a great pass receiver. When astrodomed quarterbacks like Ibsen, Nietzsche, Darwin and Marx rifled ideas through the air, Shaw would snatch them and race down the field for dramatic touchdowns, spouting aphorisms and paradoxes as he went...
...Yale School of Drama, Brustein and his colleagues developed a three-year, building-block curriculum in which students progress from the study and practice of poetic realism (Chekhov, Ibsen) to Shakespearean verse-speaking with increased physical stylization, to the total vocal and physical stylization demanded by the post-modernists (Brecht, Beckett, Handke). Along the way, students are gradually mixed into Yale Repertory productions, beginning as spear-carriers and moving up to understudy positions and major roles. Another innovation was the creation of two majors: Theater Management and Dramatic Criticism. The latter included courses in "Dramaturgy," the graduate acting...
Soon after arriving at Yale, Brustein began--perhaps out of necessity--to formulate a new approach to reproducing classics in the theater. In his article "No More Masterpieces" (1967), Brustein argues that the classical canon (which includes Shakespeare and modern playwrights such as Ibsen, Chekhov, and Strindberg) should continue to serve as staple for repertory theaters, but that there should be "no more piety, no more reverence, no more sanctimoniousness," and no more dull, "definitive" productions: each new production of a classical play should be regarded "less as a total re-creation of that work than as a directorial essay...
...that the show concentrates. Few painters have had more difficult beginnings than Munch. They might have crushed his talent; instead they gave it a permanent irritability. His family was sunk in a kind 'of permanent neurasthenia, the petit-bourgeois provincial twilight known to every reader of Strindberg or Ibsen. He was, almost literally, raised in the family sickroom, in a dreadful atmosphere of whispers, enforced silences, vomit, snot and the cold stink of carbolic acid...