Word: icebergs
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Dates: during 1950-1959
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...Some Old Iceberg...
...Ernest Hemingway remarked in Death in the Afternoon, "If a writer of prose knows enough about what he is writing about, he may omit things that he knows . . . The dignity of movement of an iceberg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing." In Hemingway's "refreshing" Paris Review interview [Aug. 11], he remarked, "I always write on the principle of the iceberg. There is seven-eighths of it under water for every part that shows. Anything...
...reassuring to see that in 26 years both Mr. Hemingway's views and his iceberg have remained so solid. One wonders, however, if the move from above to beneath the water is an evidence of Mr. Hemingway's progression in depth, or a reflection of the modern quest for a place to hide...
...Iceberg. Brash young Review-men got E.M. Forster to explain why he stopped writing novels in 1924, James Thurber to discuss the difference between American and British humor, William Faulkner to talk about his technique, recorded equally penetrating chats with Francois Mauriac, Joyce Gary, Robert Penn Warren and other literary lights. Result: 21 interviews in the Review and a book (Writers at Work; Viking...
...Hemingway's Finca Vigia home, broken by long hours in a fishing boat with the old man and the sea. The resulting interview has a refreshing flavor matched against the pedantic fuss-budgetry of critics in rival quarterlies. Sample: "I always write on the principle of the iceberg. There is seven-eighths of it underwater for every part that shows. Anything you know, you can eliminate and it only strengthens your iceberg. If a writer omits something because he does not know it, then there is a hole in the story...