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Word: icon (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Usage:

...thing straight. Gloria Steinem, the leading icon of American feminism, has not turned her back on the women's movement. Quite the contrary. She has come of age with a 377-page credo on the potency of self-esteem that is rooted in nearly three decades of social activism, embraces men and women with equal fervor, and neatly hooks into the national quest for the self. With her No. 1 best seller, Revolution from Within, she has vaulted back into the public fray. "Maybe I should have done this earlier in my life," she says candidly...

Author: /time Magazine | Title: Steinem: Tying Politics to the Personal | 3/9/1992 | See Source »

Letterman, despite his status as a cultural icon, continually reverts back to a standard routine of self-deprecating humor. He'll grumble about the paucity of viewers, lack of "babes...

Author: By Brian D. Ellison, | Title: THE CHIC PHENOM OF THE '90s? | 2/22/1992 | See Source »

Hogwood, the artistic director of Boston's Handel and Haydn Society, criticized the way in which the "Mozart industry" has placed the composer on a pedestal as a cultural icon...

Author: By John D. Shepherd, | Title: Conductor Discusses Mozart | 2/20/1992 | See Source »

Sneakers -- or what some people still call tennis shoes and most everyone now refers to as athletic shoes -- are an American icon. The sneaker is not so much an object as an idea, a symbol of values that America has always taken pride in: social and physical mobility, practicality, informality, even rebellion (such as when Woody Allen wore a pair of Converse high-tops to escort First Lady Betty Ford to the ballet in 1975). It has only been since the 1960s that sneakers have become the shoe of everyday life, the U.S. form of mass transportation. Worn by bums...

Author: /time Magazine | Title: America's Rubber Soul | 1/20/1992 | See Source »

...enhanced by it. Davis had delved images from the commercial culture of America before the Pop artists were even born. The classic one is Odol, 1924, in which the bent- neck bottle of a mouth disinfectant is presented, plain and planar -- name brand, slogan and all -- as its own icon, the ancestor of Andy Warhol's Brillo boxes. But Davis' work was grounded in Cubism, as that of the later artists was not; the Cubist scheme of fragments of media culture and packaging (newspaper headlines, labels and so on), absorbed into a painterly matrix, gave Davis his way of handling...

Author: /time Magazine | Title: Art: Seeing Life In Jazz Tempo | 1/20/1992 | See Source »

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