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...peaceful day in Botswana's Kalahari desert, where the Bushmen live, a Coca-Cola bottle fell from the sky. It must, they thought, be a gift from the gods. But this glass icon brought with it the compulsions of civilization: greed, jealousy, rancor. So the family patriarch determined to take the bottle to the end of the world and drop it off. On his journey he saw the strangest things: beasts with round legs (Jeeps), and a female with strange skins on her back (the village schoolteacher), and a squad of shiftless African guerrillas. The gods must be crazy...

Author: /time Magazine | Title: Cinema: A Quartet of Cult Objects | 2/4/1985 | See Source »

...between." Author Umberto Eco, 52, has long contemplated the many kinds of laughter, including recently the all-the-way-to-the-bank kind. The awesome success of his medieval-monastery mystery, The Name of the Rose, has turned the scholarly Italian professor of semiotics into an international literary icon. During an autumn promotional tour of the U.S. last week, he delighted an audience of New York City fans, but deftly declined to interpret the meaning of his work. Eco did talk about the pressures of fame and fortune. "I used to think that financial success would enable me to pursue...

Author: /time Magazine | Title: People: Oct. 8, 1984 | 10/8/1984 | See Source »

Until a climax too calculated to stir the emotions, Screenwriter William D Wittliff and Director Richard Pearce navigate a careful, dogged course between tract and treacle. In this near-miss movie Shepard is once again the icon of incorruptibility who refuses to claim the center of a film. Toward the end of Country Shepard's character disappears, with little explanation, in what may be a gentlemanly bow to Jessica Lange, a flinty, landsomely wasted matriarch. Mother ones, meet Ma Joad. -By Richard Corliss...

Author: /time Magazine | Title: COUNTRY: From Heartland to Heartthrobs | 10/8/1984 | See Source »

...hero. The textbook Mozart, embalmed in immortality, comes raucously alive as a punk rebel, grossing out the Establishment, confuting his chief rival, working himself to death in an effort to put on paper songs no one else can hear. Who among us cannot sympathize, even identify, with such an icon of iconoclasm? In real life we may all be Salieris, but we can respond to a movie that tells us we are really Mozarts...

Author: /time Magazine | Title: Cinema: Mozart's Greatest Hit | 9/10/1984 | See Source »

...hour, according to California transit officials, the 725 miles of freeways serving Los Angeles are used at 100% capacity. Ninety-seven percent of the area's daily trips are taken in private automobiles. If McGaffey were around today, he could say that if this culture ever adopts an icon for all, the logical choice should be the orange rubber cone signifying that a lane is closed for repairs...

Author: /time Magazine | Title: Olympics: In Search of the Angels | 7/30/1984 | See Source »

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