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...least for now, Batali--partly because he is a man of catholic, unquenchable appetites--seems to know exactly what our overfed country is hungry for. (It's also not terribly surprising that a country where nearly two-thirds of adults are overweight venerates a large guy as a cooking icon.) Buford notes that Batali once flirted with an apposite motto: "Wretched excess is just barely enough...

Author: /time Magazine | Title: Super Mario! | 4/2/2006 | See Source »

...Nancy Drew. The plot has Nancy joining her dad on a business trip to Los Angeles and finding herself (by golly!) probing the death of a movie star. Roberts, 15, calls her character, first introduced in novels in the 1930s, "the Barbie of her time," meaning, we suppose, an icon. Either that or a well-dressed gal with lots of cool gadgets...

Author: /time Magazine | Title: People: Apr. 3, 2006 | 3/26/2006 | See Source »

...Hollywood’s newfound effort to be taken seriously. The past year has seen several films that try to speak not to the audience’s base instincts but rather to their intellects. However, Hollywood, for all its professed liberalism, does not change easily, and the quintessential icon of brainless entertainment has found the transformation into a sober critic a rather difficult one. The failure of “V for Vendetta” as political commentary, however, does not come from artlessness—there are moments of true beauty and transcendence in the movie. Rather...

Author: By Mark A. Adomanis, | Title: V for Vacuous | 3/22/2006 | See Source »

...fellow guests at the Fiesta Americana Hotel.) This month Gibson starts filming at a sprawling and meticulously appointed city of Maya pyramids and markets that Sanders' crew spent six months building outside Veracruz. It all suggests a Titanic-size budget, but Gibson will say only that his production company, Icon, is spending less than $50 million. (The Passion cost $30 million...

Author: /time Magazine | Title: Exclusive: Mel Gibson's Apocalyto Now | 3/19/2006 | See Source »

...while in real time and space, you have consequences." Teen venues like MySpace, Xanga and Facebook--and the ways kids can personalize their IM personas--meet another teen need: the desire to experiment with identity. By changing their picture, their "away" message, their icon or list of favorite bands, kids can cycle through different personalities. "Online life is like an identity workshop," says Turkle, "and that's the job of adolescents--to experiment with identity...

Author: /time Magazine | Title: The Multitasking Generation | 3/19/2006 | See Source »

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