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Word: iconic (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...more compelling social questions which the movie raises--why Chris fails to understand how anyone could take her half-nude, public come-on seriously ("I was just doing my job," she says simply, why Stuart at first makes an icon of her and never quite loses his attitude of reverence, even after the rape--hover tantalizingly over the early scenes but are dissipated in the rude glare of simple melodrama...

Author: By Kathy Holub, | Title: Moist Lips and Saucer Eyes | 4/22/1976 | See Source »

Next Stop, Greenwich Village lacks intrinsic content. Hollow as an icon, its stereotyped forms have to be filled with one's personal evocations of the era. Otherwise the picture is left empty...

Author: By Diane Sherlock, | Title: A New York City Icon | 3/3/1976 | See Source »

...possibly express more about choreographer Merce Cunningham than that he's an enigma. That first photograph silhouettes Cunningham--turned from the waist, arms stretched overhead, legs rooted apart--like a Klee stick figure, or a Giacometti spider-thin nude, or maybe a twentieth-century version of the Renaissance icon: man as the measure of all things...

Author: By Susan A. Manning, | Title: Ineluctable Modality | 12/13/1975 | See Source »

...spiritual and aristic heritage of Western Europe). The weeping and wailing still continue as the Druids resurge. But if, as John Fowles would have it, cynicism is nothing more than a failure to cope, Adams' analysis fails. The very artists whom Adams would have expected to keep the icon hanging straight, are coping--by varnishing the Dynamo with super-realism. Warhol handles mass-production by redistributing the colors of soup cans. Rauschenberg sublimates industrial waste by pasting it together, taking it up off the floor onto the walls. Steve Gildea, a photo-realist painter, places a grid on photographs, another...

Author: By Tom Blanton, | Title: Short and Sweet | 10/16/1975 | See Source »

...last pupil. I will never find the kind of pedagogue I had in Pushkin," he says. "He was such a pure and simple character that it is hard to talk about him in simple words. He was like somebody who stepped out of an icon. Pushkin had an ability to infect you with such a love for dance that you almost became obsessed with it. It is almost like a disease." Like all great teachers, he had an inspired ability to simplify. Says Baryshnikov: "He taught the most logical series of steps and movements that I have ever seen...

Author: /time Magazine | Title: BARYSHNIKOV: GOTTA DANCE | 5/19/1975 | See Source »

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