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Word: iconic (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

FIRING LINE SPECIAL DEBATE (PBS, June 19, 9 p.m. on most stations). "Resolved: The Cold War Is Not Coming to an End." Conservative icon William F. Buckley Jr. is joined by former Secretary of State and NATO chief Alexander Haig in arguing the pro side. Former presidential contenders George McGovern and Gary Hart disagree...

Author: /time Magazine | Title: Critics' Choice: Jun. 19, 1989 | 6/19/1989 | See Source »

...even though the movement he led plunged them into a devastating war with Iraq and left a legacy of turbulence at home and terrorism abroad. To his people, the patriarch with the baleful dark eyes and white beard had been the heart and sword of their revolution, the icon of implacable opposition -- first to the dictatorship of Shah Mohammed Reza Pahlavi and then to the U.S., which the Ayatullah relentlessly denounced as the Great Satan...

Author: /time Magazine | Title: Iran Sword of a Relentless Revolution | 6/12/1989 | See Source »

Ever since Charlie Chaplin battled a rambunctious Murphy bed, the fold-up sleeper has been an American icon. In New York City last week, a federal appeals court showed just how firmly the name is embedded in popular lore when it ruled that "Murphy bed" has become a generic term and therefore is not subject to trademark protection...

Author: /time Magazine | Title: TRADEMARKS: What Makes a Real Murphy? | 5/15/1989 | See Source »

Nothing, in short, about her prior career hinted that she could be as deft and daring as Harold Lloyd, as rubber-faced as Bert Lahr, as touching as Chaplin -- and more ladylike than Milton Berle. Along with the other foremost icon of the '50s Golden Age of TV, Jackie Gleason, Ball was a larger-than-life talent uniquely suited to the small screen. Her signature series, I Love Lucy, and its successors endured more than two decades in prime time, from 1951 to 1974, one of the few immutables in a sea of social change. Lucy, seen in more than...

Author: /time Magazine | Title: Lucille Ball: 1911-1989: A Zany Redheaded Everywoman: | 5/8/1989 | See Source »

...belong to Welles, who, after all, had to speak them as the film's protagonist, Charles Foster Kane. Among the footnotes to this classic is Steven Spielberg's purchase at auction of one of three sleds used in the project. The young producer-director paid $55,000 for the icon, only to have Welles later declare it a fake...

Author: /time Magazine | Title: Books: Getting to The False Bottom | 4/24/1989 | See Source »

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