Word: iconic
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Dates: during 1980-1989
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More than a thousand fans waited up to two hours yesterday at the Harvard Coop for a chance to meet cultural icon and Talking Heads' lead singer David Byrne...
...nostalgic return of superheroes and other familiar cartoon figures like Archie and Veronica may be part of the same national mood that first brought back the Superman movies and made Rambo into a pop icon. But it is also the result of savvy marketing by the comic industry's Big Three, which have pushed their product aggressively at specialty shops, supermarket check- out counters and bookstores. Dozens of other companies have climbed on the comic-book bandwagon, emblazoning characters on lunch boxes, beach towels and posters...
...Arrow clothing company is resurrecting a venerable dandy: the Arrow Collar Man, advertising heartthrob of the flapper era. The image of an elegant Manhattan clubman was created in 1905, when the company had its headquarters in Troy, N.Y., by Illustrator J.C. Leyendecker. The Arrow man was a cult icon in the 1920s and was featured in a 1923 Broadway musical, Helen of Troy, New York. Arrow retired the figure in 1931. Now, an '80s version of the man-about-town, painted by Leroy Neiman, is the star in the latest Arrow ad campaign. Says Vice President of Advertising Larry Weisberg...
...blank stare) would have been: statues. Statuary, to borrow the mordant phrase of Claes Oldenburg many decades later, was "bulls and greeks and lots of nekkid broads." The sculptor of that day was responsible -- as in the age of film, TV and other ways of mass-circulating the visual icon he is not -- for commemorating the dead, illustrating religious myth or dogma and expressing social ideals. The aim and meaning of the work were rarely in doubt. With statues, good or bad, from garden gnome to Marcus Aurelius, you knew where you were...
...husband and wife. "I was a cradle snatcher," he notes gleefully of the woman he met when she was 17. The commitment they display toward each other is wholly intertwined in their shared devotion to his work -- the spare, meticulous, compassionate vision that has made Wyeth both a beloved icon to American museumgoers and a nettlesome anachronism to the art establishment. So the Wyeths are girded to ride out, with grace and tweaking good humor, the storm of publicity that broke around them last week, created by a score of press releases sent out to advertise a scoop...