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...Icon The Chanel Jacket...

Author: /time Magazine | Title: Contents: Aug. 28, 2003 | 8/28/2003 | See Source »

...didn't mean to create the devil. He just wanted a job. But when Seann William Scott quit his gig stocking shelves at Home Depot to audition for the 10-line part of Steve Stifler in 1999's teen-sex comedy American Pie, he unwittingly invented the icon of the Generation Y frat boy, the Eustace Tilly of the Maxim set. Scott's Stifler, who returns this Friday in the Pie franchise's third installment, American Wedding, is a rich kid dedicated to humiliating those who appear to be his friends. In the first film, he slipped a laxative...

Author: /time Magazine | Title: The Professional Jerk | 8/4/2003 | See Source »

After more than 40 years in the Senate, Ted Kennedy, 71, is still the icon of American liberalism. Yet he has also been at the center of recent attempts to bridge the party divide over issues ranging from education to prescription-drug benefits. TIME's Matthew Cooper talked to him about the art of compromise, as well as his famous family...

Author: /time Magazine | Title: 10 Questions for Ted Kennedy | 8/4/2003 | See Source »

...goateed, denim-clad Takizawa isn't the only highbrow designer teaming up with street-fashion labels in a high-low endeavor that has rocked Japan's fashion scene. Last year, the icon of Japanese haute expression, Yohji Yamamoto, joined forces with Adidas to sell a new line of sportswear, tagged Y-3. This month, Puma will showcase its latest sneaker collaboration with Yasuhiro Mihara, Japan's version of a younger, spikier Manolo Blahnik. Ironically, the decision of these high-fashion designers to come down from their ateliers and mix with the skateboard set is less their own than the imperative...

Author: /time Magazine | Title: Street Wise | 8/4/2003 | See Source »

...icon of escape, Wolfgang Mattheuer's Die Flucht des Sisyphos (The Flight of Sisyphus), from 1972, is unmistakable. A worker is suspended in mid-stride, fleeing the path of the stone he has been pushing uphill; he's both dodging the plummeting boulder and heading for an idyllic valley. But here's the twist: when he painted it, Mattheuer was an avowed communist coddled by East German apparatchiks, yet the work is an obvious protest at the condition of life for ordinary folk in the G.D.R. - not the sort of thing one expects a state-supported artist to have produced...

Author: /time Magazine | Title: A Peek Behind The Wall | 8/3/2003 | See Source »

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